O Filii et Filiae Feels

Posted by HolySmack on April 12, 2020

EmptyTomb2 All Christian Feasts are strange–otherworldly. Perhaps no other Christian Feast is as odd as the Resurrection: we celebrate the murder of an innocent man for our sins, then Him rising from the dead and teleporting from His grave… with a super-upgraded body (it’s my theory that this strangeness of the Paschal Feast has largely prevented its commercialization by businesses, Hollywood, and government. Christmas, Halloween, St. Patrick’s Day, St. Valentine’s Day, Mardi Gras, and more, have their secularized forms… but Easter? Not so much except for the treats and stuffed animals. It just ain’t a money maker.)

Combine all that with this strangest of times in world history (the pandemic quarantine), and we’ll all need a shot of what I think is the greatest of Easter hymns: O Filii et Filiae (pronounced: oh-fee-lee-ee-et-fee-lee-aye).

King’s College’s smashing rendition:
An epic and meditative version by Patrick Lenk:
The hymn in its natural habitat (for Holy Mass)!
Beautiful contemporary rendition:

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Finally, here are the lyrics; they speak (sing?) for themselves:

Alleluia, Alleluia, Alleluia.

O filii et filiae,

Rex caelestis, Rex gloriae

morte surrexit hodie.

R. Alleluia

Ye sons and daughters of the Lord,

the King of glory, King adored,

this day Himself from death restored.

R. Alleluia

Ex mane prima Sabbati

ad ostium monumenti

accesserunt discipuli.

R. Alleluia

All in the early morning gray

went holy women on their way,

to see the tomb where Jesus lay.

R. Alleluia

Et Maria Magdalene,

et Iacobi, et Salome

Venerunt corpus ungere

R. Alleluia

Of spices pure a precious store

in their pure hands these women bore,

to anoint the sacred Body o’er.

R. Alleluia

In albis sedens angelus

praedixit mulieribus:

In Galilaea est Dominus.

R. Alleluia

The straight’way one in white they see,

who saith, “seek the Lord: but He

is risen and gone to Galilee.”

R. Alleluia

Et Ioannes apostolus

cucurrit Petro citius,

monumento venit prius.

R. Alleluia

This they told Peter, told John;

who forthwith to the tomb are gone,

but Peter is outrun by John.

R. Alleluia

Discipulis astantibus,

in medio stetit Christus,

dicens: Pax vobis omnibus.

R. Alleluia

That self-same night, while out of fear

the doors where shut, their Lord most dear

to His Apostles did appear.

R. Alleluia

Ut intellexit Didymus

quia surrexerat Iesus,

remansit fere dubius.

R. Alleluia

But Thomas, when of this he heard,

was doubtful of his brethren’s word;

wherefore again there comes the Lord.

R. Alleluia

Vide Thoma, vide latus,

vide pedes, vide manus,

noli esse incredulus.

R. Alleluia

“Thomas, behold my side,” saith He;

“My hands, My feet, My body see,

and doubt not, but believe in Me.”

R. Alleluia

Quando Thomas vidit Christum,

pedes, manus, latus suum,

dixit: Tu es Deus meus.

R. Alleluia

When Thomas saw that wounded side,

the truth no longer he denied;

“Thou art my Lord and God!” he cried.

R. Alleluia

Beati qui non viderunt

et firmiter crediderunt;

vitam aeternam habebunt.

R. Alleluia

Oh, blest are they who have not seen

their Lord and yet believe in Him!

eternal life awaitheth them.

R. Alleluia

In hoc festo sanctissimo

sit laus et iubilatio:

benedicamus Domino.

R. Alleluia

Now let us praise the Lord most high,

and strive His name to magnify

on this great day, through earth and sky:

R. Alleluia

Ex quibus nos humillimas

devotas atque debitas

Deo dicamus gratias.

R. Alleluia

Whose mercy ever runneth o’er;

Whom men and Angel hosts adore;

to Him be glory evermore.

R. Alleluia

Wowed By The Shroud

Posted by HolySmack on April 18, 2017

Over the past few years, dozens of documentaries on the Shroud of Turin have appeared, from History Channel, CNN, National Geographic, and even the BBC. It seems every cable channel thinks it needs to make its own documentary on this mysterious cloth which seems likely (and more so with each new research initiative) to be the genuine burial cloth of Jesus Christ at His entombment and resurrection.

After going through a few of these documentaries, I can confidently recommend these few for your consideration. Here, you can find interviews and analyses from everyone: from technical photography experts, NASA engineers, Catholic priests, Protestant scholars, Jewish skeptics, world-renown chemists, forensic scientists (they even had custom designed 3M technical tape), and more. Then, when you’ve seen and heard the mounting evidence, decide for yourself what the Shroud is.

I, for one, believe it to be authentic. And that means major repercussions when proven true. But keep this famed quote from St. Thomas Aquinas in mind:

To one who has faith, no explanation is necessary. To one without faith, no explanation is possible.

This is a History Channel documentary on the Shroud’s unique embedded 3D aspect. It’s very well done and even purchased a copy, but beware of the heretical and nonsense gnostic material inserted awkwardly (and unnecessarily) in the middle of the documentary:
Here’s a BBC documentary that investigates the historical timeline of the Shroud. Also well done and worth the watch:
This is a super documentary from the Discovery Channel that details why the notorious 1988 Carbon-14 dating of the Shroud is misleading because of a poor sample. Very scientifically convincing and essential:
A CNN documentary that is mostly well done at recapping the Passion of Jesus that led up to the Shroud, but it fails when it tries to show that the Shroud can be a photographic fake (because technical photo-experts have said it is not a fake, again and again):
And a TEDx talk on the technical photo-expert’s story and claims, after his 35+ years of researching and directly studying the Shroud (short version):
And a longer and more thorough version of his inside-story:
And a documentary detailing the pollen samples and other foreign elements found on the Shroud, explaining its geographic and historical origins:

So! Take your pick (or pick them all) and enjoy the ride with these top scientists. Also, check out this HD digital scan (or this app) of the Shroud for you to peruse. Lastly, check here for a neat summary of all the facts that affirm the Shroud’s authenticity.

April 12, 2019 Update: High definition photo database of the Shroud, taken by one of the lead researchers.

All Things New

Posted by HolySmack on April 15, 2017

Just watched The Passion of the Christ again.

Just teared up again at only one scene.

Just watched said scene twice.

Just teared up again.

Each time.

This:

Of all the truth in Sacred Scripture, only this line from Revelation 21:5 gets me every time. I’ve written and thought on it so much (like here, about strawberries in Heaven), and yet these words of the Lord at the end of time still do something.

It’s because I have sinned. The people I love dearly have sinned. We all have sinned and our sin has made us hideous. The world is ugly because of us. And we cannot do a thing about it. The sun isn’t as sunny because of our sin. The breeze isn’t as fresh because of our sin. The peony isn’t as fragrant because of our sin. The strawberry isn’t as sweet, the birdsong isn’t as breathtaking, and we are not as glorious as God made us to be (not even close) — all because of my sin.

Archbishop Fulton Sheen’s words on sin have affected me deeply this past Triduum:

SheenSin2

Because I now know the horror of my past sins. I don’t know them in their full terror yet: that I will know only when Jesus makes it known when He judges me before everyone. But I do know now how ugly my sin made me. And I need Jesus to make all things new: I need Him to make me new.

*Note: Though Jesus does not speak “See, Mother, I make all things new” in the Gospels (He speaks so in Revelation 21:5), Mel Gibson’s decision to have Him say this during His Passion is very worthy. He tells Mary, His Mother, not to worry, because He will make all this suffering and sorrow into a beautiful new creation. Jesus is only beginning to re-create and renew.

allthingsnew

Silence is Violence

Posted by HolySmack on January 23, 2017

tumblr_oeag54jrop1qciy3ro1_1280 There is a first time for everything, and this is the first Holy Smack movie review that is focused on the flaws of a film. I was not impressed by Martin Scorsese’s latest “Silence” and I cannot recommend it to anyone whose faith in Christ and His Church is not mature and convicted. This movie can be incredible violence and poison to a soul still searching for sure faith (which is most everyone).

That said, this review is also an anti-venom to help prevent confusion, heresy, blasphemy, or apostasy from taking root in viewers. Here we go:

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——1) The mistake of the “Silence” story is the same mistake some of the disciples make in the Gospels (Matthew 26:6-13), namely that they are more concerned for creatures than for the Creator, they prefer helping the poor instead of honoring the Lord. The answer is, of course, they should do both, and prioritize serving and honoring God first, and everything else second, and themselves last.

——2) The logic is because God loves His poor creatures more than anyone can ever! Only God can die… and rise for them! Only God can heal them perfectly, feed them perfectly, save them perfectly, and raise them from the dead, ever perfectly! So to value creatures over the Creator is an unacceptable error. In fact, since God is truth, goodness, beauty, life, and love itself, to not trust Him (and entrust to Him) our efforts would be counter productive at best. The closest analogy to show this futility: trying to put out a house fire but refusing to call the fire department for help, and even blocking the firefighters from approaching… STUPID.

——3) Why would anyone do such a thing? A few reasons: maybe they do not know there are people who can actually help, or more likely: they only trust themselves. When it comes to God, we always must trust Him. Only He knows every perspective, every intention, every ulterior motive, and every possibility. Only God deserves our full trust, so when we put that same trust in just ourselves, we are being prideful and ultimately powerless. Even if things work out in the end, it’s only because God did something to help without us knowing. In other words, there is no luck, there is only God’s grace.

——4) The film also does not seem to realize that Jesus will raise the dead, that He Himself rose from the dead, that this is the most important miracle that gives a basis to all faith in Christ! That to doubt His resurrection is to doubt God! The countless martyrs and saints of the Church all went to their deaths trusting that Jesus is the Resurrection and the Life, and that even though they are suffering and dying, Jesus will vindicate them and glorify them in eternal life. That is why the martyrs have the courage and the love to endure suffering, because to endure eternal life without God would be terrible to them. silence-movie-martin-scorsese

——5) The movie goes so far as to even claim that Christ would want us to betray and deny Him if doing so would spare people suffering and death, yet this totally disregards what Jesus actually promises in the Gospels (Matthew 10:32- 33) that:

“Whoever acknowledges me before men, I too will acknowledge him before my Father who is in heaven; and whoever disowns me before men, before my Father in heaven I too will disown him.”

So for Scorsese to overlook this and have Jesus contradict Himself in the movie is absurd and even offensive. If Jesus contradicts Himself here, how do we know for sure He isn’t lying? And if He is lying (which would be the case automatically)… then it ain’t Jesus talking; it’s Satan.

——6) So there they are, the greatest flaws of “Silence”. There are plenty more, but to list them all would be exhausting right now. If you find something and want it discussed, please feel free to leave a comment! But I leave you with this: Christ came not to rid suffering, for He Himself endured great suffering out of love, but He did come to fill it with Himself. Thus, to deny Christ would be to deny the very person who can and wants to help us endure and triumph. silence-martin-scorsese-andrew-garfield-adam-driver-liam-neeson-2-pm

——Bonus) One thing I did appreciate in “Silence” was that the prayers and clandestine Masses were in the historically accurate Traditional Latin Form, and also to see that the Traditional Latin Mass was powerful to the Japanese faithful who suffered to the end with dignity and love for God. One of the martyrs even sang either the Tantum Ergo or the O Salutaris Hostia (I forget which) during his martyrdom.

And for another perspective, please see:

Risen to the Occasion

Posted by HolySmack on February 28, 2016

risen_poster Last week, I viewed the newest film on Jesus: Risen, and while it did not rise to the occasion of my expectations (I had great hopes for it), I did come away with a few highlights (I try not to focus on negatives). Here’s what I mean:

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SPOILER ALERT

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—–1. All about the Resurrection. We have a film on the Passion of Christ, and here is one about the implications of a man coming back from the dead. Many of us, Christian and non-believer alike, seem to forget that people do not do this: nobody comes back to life after being definitively dead, entombed, and decaying (you bet decay started after three days!) No near-death-experience is possible after a person’s heart is lanced and his body is wrung of blood and water.

Yet here Jesus is, alive (yes, we Christians believe this absolutely, even to the point of death), and not merely a resuscitated zombie of a corpse with gangrenous flesh. Jesus is healthy, strong, powerful, and yet still gentle and smiling. Jesus is glorified.

I don’t know about you, but if my friends abandoned and betrayed me, and my enemies tortured and massacred me, first thing I would do after my resurrection would be vengeance. Vengeance! (Be thankful I’m not God.)

But Jesus? He actually lived (and lives again) what He preached. He loves His friends and His enemies. We see this in the film especially when He even welcomes Clavius, the tribune who ordered Jesus’ heart stabbed, to join Him and His Apostles on their journey.

—–2. Which brings me to the point about Clavius when he says what he wants most in life: “a day without death, peace.” Isn’t that what we all want? A day when life kills death? When death no longer has the final say? When death is not the end? Well, that is exactly what Clavius and we have now in Christ.

Once the resurrection happened, death lost its final say: death died. It means that God is greater than death, that death is nothing, that we should not fear death since Jesus can flick it away like it was a leaf. Imagine Jesus: Oh, I’m dead… boo hoo, what can I do, what can I do… hmmm… I know — I’ll just get up!

It’s really that easy for God. And if He can raise Himself up, what makes anyone think He cannot raise others? risen-an-exclusive-movie-clip-for-tbn-youtube-370

—–3. Lastly, now that Jesus is resurrected, that also means that everything He teaches and says is true (and we gotta follow Him). He really is God. Because if He died and stayed dead, even though He said He would rise, then we would just dismiss Him as a liar or an idiot. But He actually came back. Just remember this: God not only became a human for you, not only was born for you, not only lived for you, suffered and died for you, but He even came back from the dead for you, to love you.

You must be pretty special to Him, for Him to go through all that trouble for little old you…

—–4. So go see Risen if you wanna. Nothing in it really put me off or can make me ward you off, but one thing’s for sure: once I saw it, I don’t think I’ll ever make time for another viewing. It wasn’t that special. The book is definitely better. And yet for a better and more thoughtful review, please see Dr. Taylor Marshall’s here.

mc_risen_fb

Gauging the Age of Adaline

Posted by HolySmack on April 30, 2015

AgeAdaline0 As soon as the trailer for the Age of Adaline hit me (during my date with Cinderella), I knew I had to see it: a story about a person made immortal has been gestating in my mind since 2009. I needed to see if Hollywood stole my idea, and if it did, to see if it was good enough.

Fortunately, the Age of Adaline takes a different route, so I guess I’ll continue nurturing my baby. Phew!

Anyway, I thought the Age of Adaline was decent enough. Definitely did not feel my time and money went to waste. Here’s what I thought was most thoughtful of the film:

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—SPOILER ALERT!—
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—–1) The opening scenes of Adaline’s (Blake Lively) life feature one thing in common: the Catholic Church. We see her daughter’s baptism, we see her father’s funeral, and we even see her wedding in St. Mary’s Cathedral in San Francisco (before the cathedral was “remodeled”). I’ve been trying to figure out why the Church is so prominent in the film’s beginning, but not so throughout the rest of the film. At no point is the Church mocked or even ignored in the film, but actually churches keep reappearing in later scenes. Not sure why the director included all these churches, but not much seems to come of them plot-wise. AgeD12

—–2) The emphasis on faithfulness in marriage as union of husband and wife. We see this clearly when William (Harrison Ford) strongly reaffirms his love for his wife after she becomes upset with his reminiscing of Adaline (you are not second pick!). We see this even more when William gives a toast to his wife on their 40-year anniversary: “to the love of my life, the mate of my soul…” Heck, in this culture of divorce and promiscuity, any focus on the beauty and fidelity that marriage demands is a win for me! AgeAdaline1

—–3) Unfortunately however, the emphasis on marriage’s demands for fidelity is conflicted with Adaline and Ellis sleeping together. What is really jarring though is when Ellis tells Adaline that he is falling in love with her… but only after they had been sleeping together for a few weeks. Now doesn’t this seem strange? That they had been sharing their nights together before there was love in the relationship? Did Ellis not love Adaline all that time prior? It sure seems that way in the film’s dialogue. So then what… love comes after sex? Doesn’t that seem backward? Shouldn’t love come first? Before anything? Before everything? Sex is meaningless without love, and for Ellis to bring up love this late in the timeline is lame to me. First, you meet her, get to know her, then love her, commit to her, vow to her before witnesses that you’ll be hers, be married to her, and only then give your body and soul to her, all the while choosing to love again and again. That’s the order. Going backward, or hopping around is just weird when the rest of the film encourages faithfulness and seriousness in marriage. This was one messed up moment in an otherwise decent film.

—–4) Lastly, the recurring theme of resurrection. I did not notice this until I came home and looked up the movie’s score. Two tracks: First Resurrection and Second Resurrection. Furthermore, other Church-sounding tracks are: The Scar, Hospital Confessions, Coming Back to Life, and Start Again. First, in the film we see Adaline come back from the dead in a semi-glorified state each time. The first time she cannot age past 29 years old. The second time, she resumes aging and finds it to be an even greater blessing.* In fact, her first time rising from death is obviously like a baptism! As for The Scar, recognizing someone by their scar reminds me of how we recognize Jesus from any wannabes: only the true Lord has the scars of His Crucifixion, which reveal His true love for us. Relating to Hospital Confessions, the Sacrament of Reconciliation always gives us great healing and forgiveness, which allows us to Come Back to Life and Start Again. Anyway, funny how much meaning is in the titles of a score’s tracks!

*—–BONUS) Getting back to aging actually being a blessing, it’s much like the happy fault: that if Adam and Eve did not sin, then Jesus would not have been our Savior. God makes goodness and beauty out of ugly things, and aging can be beautiful! In the case of marriage, aging allows us to grow closer, it allows our souls to grow closer. Because our bodies weaken and deaden, we rely more on our souls to shine and show love. Because an elderly body is not attractive, we see more easily where the beauty of the person truly is (kind of like Beauty and the Beast!).

All in all, not a bad film, could have should have been better, but enjoyable nonetheless.

AgeAdaline3

Stations of the Cross

Posted by HolySmack on April 1, 2015

Christians around the world will soon be in the holiest time of year: the Triduum. Those few days are known as: Holy Thursday, Good Friday, Easter Vigil and Easter.

One way to help us meditate on Jesus Christ’s Passion, Death and Resurrection is the Via Crucis, aka: the Stations of the Cross. Please let me share with you my favorite set of Stations, by an artist named Sarah Gorss (please visit Gorss’ Flickr page for more information).

I particularly find these Stations beautiful and solemn. Their grittiness, and the fact they are made of rice paper really helps me feel how organic and alive the Lord’s suffering was. I hope you find these icons as inspiring as I do.

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[the first station: Jesus is Condemned to Death]

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[the second station: Jesus Carries His Cross]

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[the third station: Jesus Falls the First Time]

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[the fourth station: Jesus Meets His Mother]

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[the fifth station: Simon Helps Jesus Carry His Cross]

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[the sixth station: Veronica Wipes the Face of Jesus]

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[the seventh station: Jesus Falls the Second Time]

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[the eight station: Jesus Meets the Women of Jerusalem]

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[the ninth station: Jesus Falls the Third Time]

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[the tenth station: Jesus is Stripped of His Clothes]

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[the eleventh station: Jesus is Nailed to the Cross]

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[the twelfth station: Jesus Dies on the Cross]

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[the thirteenth station: Jesus is Taken Down from the Cross]

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[the fourteenth station: Jesus is Laid in the Tomb]

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[the Resurrection of Jesus Christ, the Lord, on Easter Sunday]

I Snuck Out For Cinderella

Posted by HolySmack on March 21, 2015

CinderellaPoster Full disclosure: I snuck out of seminary early today and went to see Cinderella alone. Being that I didn’t know what to expect, I was unsure of dragging any of my brothers along. And solo I went.

And I was glad to have gone alone, because then they didn’t see me cry with Cinderella.

This is the kind of film Disney will have to keep striving to match in the future (and I hope their upcoming Beauty and the Beast remake is up to the task). It isn’t a perfect film, but it’s an extremely great one! Here’s a list things that floored me:

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SPOILER ALERT
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—–1) I was amazed at the emphasis, over and over again, on some solid traditional virtues: courage and kindness. We see Cinderella live these twin virtues throughout her life, for love of her mother and father. We see time and time again how these virtues beautified her, because holiness is attractive!

—–2) Ella’s mother and father were exemplary. In a culture that deemphasizes the importance of family, of motherhood, and of fatherhood, I was so grateful to see encouragement here for others to work to have a family like theirs. In fact, notice that both Ella and the prince have solid childhoods in solid families that prepare them for a great future!

—–3) Kit, the prince, was actually more than just a stereotypical Disney knight in shining armor. He repeatedly reminded me of St. Joseph: chaste, humble, decisive, loyal, filial (a good son who loves his dad), gentle and inspired by Ella’s virtue and character. We see in him how every man should treat every lady, and most importantly we see him receptive to Ella’s virtue. In one scene, we hear Kit openly admit to his friend that Ella’s goodness of character greatly draws him and urges him on. I’ll say it again: holiness is attractive! And the woman’s goodness and beauty inspire the man’s love to rise and meet her standards (click here for more of what I mean).

EllaServant —–4) As Kit is to St. Joseph, Ella is to Mary. Yes, Cinderella is very Marian. Not only do we see this in both her servant’s robes and transfigured ball gown (Marian blue!), but we see it in her humility, docility, and how she served even her enemies as a handmaid (and even accepted the name they snickered at her). We see the analogy also in how she bore her suffering, her losses and sorrow, and finally: in her ravishing beauty. Her humility is most manifest when she accepts even the lost chance of being found by Kit! I was astonished to see her content with merely keeping the mere memory of Kit in her heart, pondering and cherishing it there for the rest of her life!

—–5) Which brings me to the reason why Ella’s stepmother hates her so much, and in the stepmother’s very own words: “Because you are young, and innocent… and good!” Wow, if that doesn’t say a lot about Ella’s holiness! In this fallen world of sin, we frequently are either inspired by the good and beautiful to be like them… or are tempted to destroy them! The wicked cannot stand the sight of true beauty and goodness and will try to eliminate what makes themselves look bad, and we see this clearly in the stepmother. But then you have those of us who are inspired by true beauty and goodness and try to emulate them! So that we’re all beautiful and good! [hint: don’t be like Ella’s stepmomma]

—–6) And that brings us to see the stunning beauty of forgiveness. Ella, when she sees her stepmother for the last time, offers her forgiveness… with all sincerity. Heck, we even see the stepsisters apologize to Ella! And what a virtuous way to love thy enemy. Sure, it would have been satisfying to see Ella smack them and lock them up for treason, but it was so much more inspiring to have seen her forgive them. And I argue that she could only do such a thing because she truly lived a life of love.

CINDERELLA —–7) Also wanted to point out the indissolublity of marriage: we see the Prince deliberate intensely about it, and everyone takes it as a given that divorce is impossible. Because if divorce was possible, then marriage wouldn’t be such a big deal — just marry a substitute princess for now, and then divorce her when you find the mysterious princess! Make the King happy, the kingdom happy, and avoid all this drama. But nope. That’s not even a possibility. And our culture needs to see more examples of the seriousness, beauty and dignity of marriage (and that it must not be done for selfish gain or for others’ wants!).

—–8) Bonus: the changing of the lizards, mice, pumpkin, goose and of Ella’s ballgown all reminded me of Christ’s Transfiguration on the Mount, which in itself is a preview of what we are all meant for in the resurrection. While in this earthly life, our sins and the sin of the world still scars us and mars our beauty. We find it difficult to see who each other is: miracles of God’s creation. In Christ’s transfiguration, the three apostles with Him saw God’s true beauty. In the fairy godmother’s transfiguration of Ella’s friends and dress, we see the scars melt away to reveal a miracle. And just like in the Gospel, the transfiguration doesn’t last, because it’s only meant to show a glimpse of beauty to come. CinderellaCarriage

So yes, I loved Cinderella. And I think you would too.

P.s. here are more reviews from critical Catholic movie viewers: Fr. Robert Barron and soon-to-be-Deacon Steven Greydanus.

Beauty and the Beast and the Bible

Posted by HolySmack on July 20, 2014

Like most typical American kids, I grew up with Disney movies in my DVD collection. Some films are great, some were great, and some are just trash.

Beauty and the Beast (B&B) is great. I’m sure you already know that if you’ve seen it. But here are some details you may not have noticed:

——1) The prologue is narrated in stained-windows… stained-windows… reminds you of what? What kind of buildings have stained-windows? For what building was stained-glass invented for? If you said castles or palaces, then you’re partially correct. The answer: Christian Castles/Palaces — aka: churches.

——2) The Rose is the main motif in the movie, especially a rose that seems to countdown. If that doesn’t hint at the ROSARY (which is a bouquet of prayers we offer to Our Lord’s Blessed Mother), then I don’t know what does!

——3) Speaking of the Blessed Mother, what colors do Belle wear? Did you know that light blue and white are Marian colors? Notice that the majority of traditionally colored Mary statues and icons show her to be wearing blue and white.

——4) Shortly after we meet Belle, she stops where and sings to what? She stops at a fountain, and she tells a story in song to a little lamb. A fountain is like a well, and in Sacred Scripture, it’s typically the place a man and woman have a significant meeting (recall Isaac and Rebekah, Jacob and Rachel, Moses and Zipporah, Jesus and the Samaritan Woman). Well, in B&B, we see Belle singing to the lamb: “She doesn’t discover that it’s HIM till chaper 3…”

This is significant because Jesus had to be revealed to the Samaritan Woman, had to be discovered. And three is a convenient number that not only rhymes, but symbolizes the third day after Jesus’ death — when His Resurrection is discovered by Mary Magdalene. Also, Jesus is the prince in disguise!

BelleLamb And what does a lamb symbolize in Christianity? “Agnus Dei…” which means “Lamb of God…” which means Jesus.

And Belle is Mary, and Mary is the God-bearer, and God is love… so Belle carries love.

Betcha never connected that “Mary had a little lamb… little lamb… little lamb. Mary had a little lamb whose wool was white as snow” is talking about the Blessed Mother who has a Son who is innocent and pure.

And in B&B, everyone thinks Belle is such a strange, funny girl, such an odd girl unaware of her own beauty. Well, Mary is odd too! She was immaculately conceived, and no one else was. She would obviously have been singled out as exceptional and strange and completely oblivious to how beautiful she is (because of her humility). Oh, oh, oh! You don’t know you’re beautiful! Oh, oh, oh! That’s what makes you beautiful!

BeautyBeast ——5) What about what causes the prince in B&B to be cursed? Wouldn’t that be the sin of pride? Being spoiled, selfish, unkind… and pride causes us to be isolated to the point that we curse ourselves. Pride was the Original Sin, and it caused us to be disfigured, naked, ashamed, lonely and doomed to die. And so after the prince commits this sin, he becomes a beast: ugly, naked, ashamed, lonely, and doomed to die.

——6) Our sin never affects us in isolation. Sin is like contagion: it spreads. And so Adam and Eve’s sin caused all of us and the rest of Creation to crash and burn. In B&B, the curse spreads throughout the castle, infects the servants, the forest, the world around the property. Sin is never personal; it affects everyone eventually.

BeautyBeastBalcony ——7) And only what can redeem Beast and his servants? Only if he truly loves and is truly loved in return, right? And doesn’t Belle bear that love? She’s the one to break the spell… she must give her love to him, must give her word to him. Notice later in the film that it’s only when Belle says she loves him is the curse busted. This is so symbolic of Mary’s fiat to the Archangel Gabriel, when she said “let it be…”

——8) At the ball, notice the colors of Belle’s gown: yellow and white. Those are the colors of Mother Church, the Bride of Christ, the redeemed. The colors of the Vatican flag hint at this.

PiercedSide ——9) When Gaston (whatta jerk…) attacks Beast, where does he stab him? In the side! The right side! Take a look at any crucifix and you’ll see that’s exactly where Jesus was pierced (John 19:34).

——10) Then, when Beast dies in Belle’s arms… it looks a lot like the Pieta.

——11) And earlier when Beast released Belle after the ball, he in effect accepted sin (the curse) and death. Recall Beast’s response when his servants warn him of the mob’s approach: “It doesn’t matter, just let them come.” This is a bit similar to when Jesus accepted our sin (though he was sinless) and accepted His impending death, even death on a cross.

——12) But true love breaks the spell (remember that God is love). After Mary gives her fiat, God is allowed to intervene (allowed to love) at the ground level of our humanity to redeem us through the Passion and Resurrection of Jesus. And in B&B, after Belle’s fiat, we see Beast rise from the dead in glorious light. His body shines forth as a glorified body. This is totally an allegory in the movie for the Resurrection of Christ! BelleLoves

——13) And Beast’s salvation also saves the whole castle (transforms all the gargoyle’s too!), all his servants and the world around him.

——Bonus) Beast can be seen as a Christ figure, in that Jesus is also known as the Lion of Judah, an idea that C.S. Lewis used when writing the character Aslan in his Chronicles of Narnia.

So there you have it, 13 or so details I noticed one day while re-watching this classic.

——BONUS) Found out recently via a comment below that the Prince’s name is actually Adam (thanks Anh-Thu!)! This further adds to Biblical symbolism, since the New Adam (Jesus) and the New Eve (Mary) in a perfect way undo the sin of the first Adam and Eve. We see this played out in Beauty and the Beast because Adam (the Prince) becomes a new man at the end (a new Adam), undoing the past sin (most importantly with the love and help of Belle [who can be seen as a type of Mary, a new Eve.]).

——BONUS 2) Here, we see an even deeper connection with points 5 and 6 above. Now that we know the Beast symbolizes Adam, we also can see how similar their reaction to sin is. After the Original Adam sinned, he felt great shame, thought himself ugly and hid himself. So too does the Beast do this!

——BONUS 3) That’s right, it gets better! According to the film’s plot summary, the beggar visits the Prince on CHRISTMAS EVE. Now, this definitely makes me recall that on the First Christmas Eve, Mary and Joseph [and the unborn Jesus] were beggars trying to find a place to stay. The people they asked turned them away, not knowing the beauty of the Holy Family and that someone very powerful, special and beautiful was hidden within the Holy Couple: Jesus.

——See here for the review over the 2017 remake