All Things New

Just watched The Passion of the Christ again.

Just teared up again at only one scene.

Just watched said scene twice.

Just teared up again.

Each time.

This:


Of all the truth in Sacred Scripture, only this line from Revelation 21:5 gets me every time. I’ve written and thought on it so much (like here, about strawberries in Heaven), and yet these words of the Lord at the end of time still do something.

It’s because I have sinned. The people I love dearly have sinned. We all have sinned and  our sin has made us hideous. The world is ugly because of us. And we cannot do a thing about it. The sun isn’t as sunny because of our sin. The breeze isn’t as fresh because of our sin. The peony isn’t as fragrant because of our sin. The strawberry isn’t as sweet, the birdsong isn’t as breathtaking, and we are not as glorious as God made us to be (not even close) — all because of my sin.

Archbishop Fulton Sheen’s words on sin have affected me deeply this past Triduum:

SheenSin

Because I now know the horror of my past sins. I don’t know them in their full terror yet: that I will know only when Jesus makes it known when He judges me before everyone. But I do know now how ugly my sin made me. And I need Jesus to make all things new: I need Him to make me new.

*Note: Though Jesus does not speak “See, Mother, I make all things new” in the Gospels (He speaks so in Revelation 21:5), Mel Gibson’s decision to have Him say this during His Passion is very worthy. He tells Mary, His Mother, not to worry, because He will make all this suffering and sorrow into a beautiful new creation. Jesus is only beginning to re-create and renew.

allthingsnew

I Saw Hacksaw

imgNot many directors have my full trust in their story telling; besides Christopher Nolan, there is only Mel Gibson. After a decade of recovering and rehabilitation from his downfall, Gibson’s first film since Apocalypto and The Passion of the ChristHacksaw Ridge (based on a true story)—is very telling, even if I did not like it as much as I thought I would.

—SPOILER ALERT—

——1) Heroes are not spotless, they have pasts and histories, and Desmond Doss (Andrew Garfield) is a fine example. His youth is peppered with violent, even homicidal episodes, and he exemplifies this famed quote well: Every saint has a past, every sinner has a future. And most importantly, a saint is someone who starts on the path of sainthood again and again, never staying down, never giving up. If you apply this to Gibson, or to St. Paul, or to St. Peter, St. Mary Magdalene, then you see what I mean. And if you apply this to yourself, then you have found the path to Heaven.

——2) Of all the things she could give Desmond before he ships off to war, his beloved Dorothy gives him her tattered Bible. They share their faith with one another, and in this love for God, their own mutual love grows. If couples do not ground the roots of their love in the infinite Love, into infinite Life, then how can they hope their love will survive? If you do not believe in something greater than yourself, then you will never have anything greater than yourself. And if you do not anchor your love first in eternal love, then your love does not get any greater: it will not survive when you die (and we all eventually die).327

——3) Speaking of death, we see also the jarring juxtaposition of two cultures with clashing values: one that tries to preserve and save life at the risk of one’s own (the devout Christian West), the other disregarding life and glorifying death through suicidal kamikaze tactics and seppuku  (the Japanese). In today’s culture we see a similar struggle: one that strives to honor all human life from conception to natural death, the other advocating that life is only valuable if we want it to be. In other words, the Christian rooted cultures know each life to be of infinite worth and not to be given up on lightly, whereas certain cultures see human life as expendable as if it were a mere resource. Most importantly, if human life is only a resource, only valuable if we decide so, then who is the judge for whether another life should be ended? Who is so “enlightened” and “fair” that they can decide who lives or dies? And who says that judge has to be yourself? It can easily be someone else… in fact, if it is not God, then it very well might be someone else much less loving and merciful.maxresdefault

——4) Love for enemies is never easy, but here in the film we see Doss even extend mercy toward the enemy soldiers. He treats them as his own, only hesitating because of fear they would attack him, not because he hates them. In fact, we do not see Doss express any malice toward the Japanese troops! For a war film, it was strange to see such little animosity from the protagonist against the foe. But there we see the point of the story: the primary foe is not the Japanese military: the foe is Desmond Doss himself.

——5) The foe is Doss himself because we are waiting to see if he will drop his promise. We are watching to see how committed he is to non-violence, how long he will go before picking up a rifle and shooting the Japanese. We expect to see him cornered, desperate, and succumb to breaking his vows. We wonder how much will it take before he snaps. Yet, he does not. His resolved conscience is so solid that we are forced to think whether we ourselves are that resolved on anything!

——6) It is there the film reaches out to us, Doss reaches out to us, to challenge us whether we have the courage to keep our promises, to stay faithful, to try over and over, praying God helps us one more time, and always one more time, no matter what came before, which reminds me of a prized quote from St. Paul (so prized I made a meme for it):

 

Movies for an Intense Lent

*updated March 22, 2017* Lent is a long season. And to help me get in the mood of reflecting deeply on my faith, and contemplating deeply about Jesus Christ’s Passion, I have five movies I can turn to (or check my list of music for an intense Lent). But be warned. These films are intense and will not slip from your memory any time soon. The struggles, challenges, drama and suspense lingers… lingers…

SisterLuke——First up: The Nun’s Story, starring none other than the exquisite and stunning Audrey Hepburn as Sister Luke. In this film, we see a young and beautiful woman discern the religious life, but all the while, we see something not quite right. Did she enter for love of Jesus? For love of the Church? Or was the sisterhood merely a tool for her? When I first saw this film, I could not believe what I was seeing. As an Audrey Hepburn fan, as someone who was open to discerning the priesthood, and as a fan of film, this movie was a major treat and surprise. Click here for the whole film (while the link remains active).

——Second: The Passion of Joan of Arc. This is a silent film with a haunting score, a haunted past, and a haunting recovery. The real life struggle to get this movie on screen is already harrowing enough to make one think the devil tried to keep this where the sun don’t shine, but today, it is considered one of the top ten films ever. Don’t let its age, its novelty and its daring discourage you from viewing this movie. Search for it at your library, or online. There are at least three versions now. I only recommend the one accompanied by Richard Einhorn’s Voices of Light score (click link to listen!).PassionOfJoan

——Third: Noah. A movie misunderstood by many to be Christian, but it’s actually a Jewish film that stretches the story of the Great Flood in ways that kept me at the edge of my seat. I was stunned to see how riveting the story was, how terrifying such a flood must have been. And since I wrote extensively on this film already, please click here for my review and for the thoughts of others more learned than I. 

——Fourth: The Flowers of War. Though the movie is about the 1937 December invasion and Rape of Nanking by the Japanese army, its portrayal of utter human suffering and redemption is perfect for Lent. The movie stars Batman: aka, Christian Bale, and is directed by Zhang Yimou (Hero, House of Flying Daggers, 2008 Beijing Olympics Opening Ceremony). In this epic, Bale finds himself having to play the role of a Catholic priest to protect 12 abandoned school girls trapped and stored in the Cathedral by the Japanese for future use. This film is so intense that I cannot recommend it for family viewing whatsoever. Be advised.

——Finally: The Passion of the Christ. I save this one for Good Friday, and for good reason. And unlike many, I don’t shed a tear at all… until Mary meets her Son on the road to Calvary. I love Jesus. I believe He is God. And God can take care of Himself. But when Mary appears, her broken heart cuts me down. Gets me every time…

——BONUS: this film The Road is also very intense and not to be viewed lightly by families and children. The story is a man trying to care for his son in a post-apocalyptic world that is two-thirds the way to hell. The sacrifices, struggles and sheer terror of what this world is reminds me of what sin did to us, and what sin still does to us when we let it reign. Give this a watch if that sounds like something that will help you stop taking sin lightly, and stop taking life for granted.

——AND A DOCUMENTARY: History Channel produced this detailed and fair research on the mysterious Shroud of Turin (the most studied human artifact, ever). This cloth is believed by many, scientists and faithful alike, to be the original burial linen of Jesus Christ. It is also believed to have been physically affected by the Lord’s  resurrection, affected in a way that science has been unable to explain, to date. Give The Real Face of Jesus a watch (but beware of the heretical and nonsense gnostic material inserted awkwardly (and unnecessarily) in the middle of the documentary). More documentaries researching and studying the Shroud here.