An actress who has become a fast fave of mine is Alicia Vikander. When I saw she was in “The Light Between Oceans,” I knew I should see it. Coupled with Michael Fassbender, and it became something I had been looking forward to for a few months now. And so thankful am I to have not been disappointed. Here are the shining moments of the film:
—
—
—
—SPOILER ALERT—
—
—
—
—–1) As a man, it is difficult for me to relate to the experience of miscarriage. Yet, my heart was pierced and my gut was gutted when I saw the trauma in Isabelle’s (Vikander) two losses. The helplessness of both mother and father as the child comes stillborn, the vulnerability of life, the hopes suddenly spilling, all of it was so cruel and devastating. It helped me think of times my own friends endured such loss, and while I only heard the news after the fact, seeing it portrayed as it happens is terrifying.
Yet, the scene here also shows the irony of intentionally and deliberately terminating unborn children in the womb, aka: abortion. We have couples who are desperate to save their unborn children from miscarriage but are helpless and at the mercy of their infertility, yet then we also have merciless couples desperate to destroy their unborn children. And the only difference between the two kinds of couples is that one truly loves their children, and the other is inconvenienced by them.
—–2) On the note of parenthood, Isabelle shares that (paraphrasing): “When a wife loses her husband, she becomes a widow, but when a mother loses her child, she remains a mother always, even if she has no children left. I wonder if I am still a sister, since I have lost my brothers.”
This is such a profound insight that reflects the “till death do you part” vow in true Christian marriage, when spouses vow their fidelity with such determination and faithfulness that only their death might end it. Hence, a surviving wife becomes a widow, or a surviving husband becomes a widower. However, this film demonstrates the permanence of motherhood and fatherhood on many levels.
One level is that Isabelle and Tom (Fassbender) are parents, even with their loss of two stillborn children. Parents are always parents, even if all their children have gone to judgment before them (by whatever means). Parents who loved their lost children must realize however, that the children are not lost, but are waiting for them in the hereafter. Parents should then live so as to strive to be with their children again, to pray for them and ask them for prayers.
Another level is Hannah (Weisz) remains a mother too, despite her thinking her daughter is dead. And we also see that she remains a loving and devoted wife to her lost husband, revealing that though she is a widow, she remains his.
And powerfully foiling Hannah, we see that Isabelle struggles to remain Tom’s. She disowns him for surrendering to justice, and she does not allow herself to love him again until it is almost too late. Eventually, she finds forgiveness and also surrenders to the truth. I was so grateful to see this story go this way, the way of fighting to keep a marriage, to keep a love beating at the moment it has bled out.
—–3) And we see in this story (unlike in Kubo and the Two Strings) that the truth must always and will always have its day. Nothing good, not even a seemingly happy family, can be built on a lie and deception. Tom’s character, so morally formed and conscientious, cannot live with the lie, with keeping a child hidden from her true and loving mother. Tom knows the deception and must right it. Even in the end, Isabelle realizes her love, however honest it is, is flawed when founded on a lie.
In fact, the lie ages and wears down Tom and Isabelle and leaves them childless in the end. Even Isabelle yearns and hopes Hannah could forgive her for the evil she did. This film is dripping with the characters wrestling with the truth and finding out that the truth is alive and far more subtle and cunning than their greatest deceits. Lies die, and then Truth rises up alive.
Most beautifully done, however, is that we see after the truth is respected, the relationships bloom on a sure future. When truth becomes the foundation of love and relations, then it becomes easy and beautiful. The catharsis we see when Lucy-Grace (as a grown woman and mother herself) visits an aged Tom is something that could only have happened with the support of the truth.
—–4) Finally, great acts of forgiveness abound in the story; acts so great that even the police question why anyone (in this case, Hannah) would forgive the couple who is suspected of murdering her husband and kidnapping her daughter. But we see that this is how a happy and fulfilled life should be lived. Hannah remembers wise words from her husband (paraphrasing): “It’s too hard to resent, you have to think about it and remember it all the time. It’s tiring. It’s better to forgive so you can live.”
We also see, as mentioned earlier, how Isabelle forgives Tom, and thereby allows them to live a better marriage into old age. However, we must also note that Tom has forgiven Isabelle: for originally insisting they keep the baby and hide the body of Hannah’s husband, for refusing to admit the truth, and for finally revealing the truth even when it meant her conviction and imprisonment. We see here how Tom’s love led him to forgive her all these times, every time.
And that’s exactly it: only love makes it possible to forgive, and if not your own limited love, then for God’s infinite love.
—–BONUS) Two mothers fighting to keep/regain a child… sure reminds me of the case King Solomon once heard (1 Kings 3:16-28). Yet, in “The Light Between Oceans,” we see both women willing to part with the girl when they realized she was better off with the other. How beautiful a twist to put on the renowned Biblical story.
—–Note: I also appreciated the sound baptism and Christian marriage being celebrated, and the chastity portrayed in the couple’s relationship. But religiously, what caught me most was the solemn chanting of prayer in the score when Tom first encountered his daughter’s true mother, and the truth staring him down and demanding him make things right. In the background, a minister’s words about sin, and our mission to oppose it and refuse it, also adds to the theme of the story: A lasting love and family must be built on truth.
It is very easy for me to critique and focus on negatives, so on Holy Smack I try my best to be positive, but sometimes exceptions must be made. This is one of those times. See what I mean here:
When Mako and Prince Wu are sharing their stories with each other, Mako shares with us what he learned from his time with Korra, and then with Asami. The takeaway here is that when we date, we should be able to breakup without turning our girlfriend/boyfriend into an enemy. If the two do become enemies, then what was the relationship worth in the first place? Obviously then both were too immature and irresponsible with one another’s hearts. Now, this doesn’t mean the two cannot argue. Arguing is actually a healthy thing if the argument is over something extremely important! But it’s vital not to tear each other down in the argument, but to work together and find out the truth. Arguing should strengthen your relationship, not bomb it into oblivion.
First, the whole series has been recurrent with self-sacrifice. We see this again, but this time Korra sacrifices herself to save an enemy (no one before Jesus ever taught us to do this!). Especially noteworthy is that it’s Kuvira’s own weapon that is going to kill her, until Korra steps in as a body shield. This analogy fits well with how Jesus took on our fallen nature and our sin (our own weapons, our own mess and selfishness was going to condemn and kill us) and died in our place.
Second, after both Korra and Kuvira are blasted into the Spirit World, Korra shares that she has finally realized that all the suffering she has gone through actually were blessings in disguise — without them she would not have matured and grown in wisdom, humility and compassion. Throughout the season, she was struggling to find meaning in her near-death experience and past trauma, and it was only after saving Kuvira that Korra understood. This is one reason why Christians believe suffering is permitted (not caused directly) by God, and that just because someone is suffering does not mean it is better for them to die, thus why euthanasia is morally evil (because murder is a sin, but suffering can be for our good as long as we suffer with Jesus).
Holy Smack 