Liturgy and Lethargy

Posted by HolySmack on March 25, 2020

Lethargy is the wrong word: it means weakness and lack of enthusiasm.
Lethargy is the right word: it means weakness and lack of enthusiasm.

Lethargy perfectly represents what I want to describe.

Many Masses in my life always left me confused, especially as I grew in love for the Lord and His Church. If Holy Mass is the most important prayer of Christians, if the Eucharist is truly Christ’s Body and Blood: true Food and true Drink, if this is true, then why have so many Masses been lame? Lethargy.

Ever since learning that the Holy Sacrifice of the Mass is actually Jesus nailed on the Cross because of your sins, my sins, our sins—that Jesus teleports us to the original moment of His sacrifice—I cannot ignore the jarring clash between crucifixion and birthday-bash trying to show through at the same time. The energy and enthusiasm put into a party-style-Mass means “lethargy” is the wrong word. So much effort wasted on the wrong details.

But don’t take my word for it. Have a look yourself:

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Step One: watch this excerpt of Jesus rescuing you and me from Satan and our sins, watch how He is lifted up for us to see what He does for us:

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Step Two: watch how this Mass (from 2008) totally matches the theme of Christ’s crucifixion:

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Step Three: this 2018 Mass (with German cardinals and bishops) also gets the point across:

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And the point is (in case you didn’t catch my sarcasm): how did we get to this mess, instead of Mass? How do we have such a mess in theme? How did such liturgical abuse become a thing?

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Mass never was about fun, entertainment, relevance, and needing to be cool or interesting. Sacrifice is never about those things.

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Instead, sacrifice is a labor of love. Mass used to be (and can still be) solemn, reverent, powerful, deep, and intense:

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Because Jesus is not partying it up on His Cross—He is dying because of my selfish and terrible choices to go to Hell. And I should not act nor expect this moment to be a birthday bash (or a tango dance-off).

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And I’m not about to let this end with that tango video *shudder*. Instead, here’s an uplifting and helpful tip how we can start to reclaim our Lord’s Mass, with song and singing:

UPDATE 4/18/2020:

This CCP-virus (Covid-19) survivor is former EWTN President, Catholic-convert, and current spiritual director: Dan Burke. After beating the disease from the point of death, he has choice words about liturgical abuse and enemies of reverence. Hear what he has to say about why/how Jesus is desecrated today in our Church. His witness cuts me to the heart.

Avengers Against Abortion

Posted by HolySmack on April 26, 2019

So I just spent approximately six hours of my life watching Infinity War and Endgame, and here are the most meaningful moments I noticed–mostly hinted in Infinity War, and fully displayed in its sequel.

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—SPOILER ALERT—

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The overarching theme of the films revolves around Thanos’ goal: controlling overpopulation. This applies to our society today, considering many politicians and scientists who claim the world will end unless our numbers are drastically cut. They tout the necessity and value of sterilization, contraception, euthanasia, and abortion. However, Thanos brings it all together to the logical conclusion, and from this epic, we see truly the flaws of this overpopulation control: it is unjustifiable and unheroic. Let me explain with examples from the films: [First], the longer abortion is promoted, the more we reach Thanos’ coveted ratio: 50% decimation. In America alone, the ratio is already currently 1/6 (missing 50 million out of 300 million)! If this trend continues, we’ll be at 1/2 soon. So, do we really want to fulfill Thanos’ dream in our reality? Especially when we’re so invested in the Avengers countering his actions? Don’t we want to imitate the Avengers and end this legalized decimation? [Second], many who support abortion and population culling may claim that this mischaracterizes their goal since living people were just abruptly wiped out in the film, whereas abortion in reality is more tolerable since those lives never even got to start living, thus if they never got to live, it doesn’t cause any suffering to anyone: they don’t miss us, we don’t miss them, because we never got to meet. But, here’s where Thanos comes in: after realizing the inability of the surviving Avengers to accept his necessary evil of 50% decimation, Thanos revises his scheme. He will destroy 100% of life in the universe, and then recreate new life that is oblivious to the fact that there was life before it. In short, Thanos thinks that ignorance will make the universe’s recreated inhabitants gratefully accept his benevolent decimation, sort of saying: “If I never knew what I lost, I’d be happy, so that’s all that matters.” Yet this fails to satisfy the Avengers’ morality, and more importantly, this fails to satisfy audience’s morality. We know in our rational core that this remains evil, and ignorance is not a tolerable solution.
And just in case we still couldn’t tell the Avengers are pro-life (although some of the actors contradict themselves here): when Warmachine hatches the idea of time-traveling to abort or murder baby-Thanos, the rest of the team not only dismiss the idea, but revolt against it. They rightly protest the idea of assassinating a young, innocent Thanos, because such a Thanos simply remains innocent of his future undecided crimes! This reminds me of when certain people pilloried a political commentator for defending another baby before his possible-future-undecided crimes, when actually he was just arguing the same thing the Avengers would in Endgame. Have a listen to Ben Shapiro’s point here, and why the logic of aborting criminals (while they are innocent infants) is unethical and absurd.
One of the most moving moments of Endgame must be Natasha’s martyr-like self-sacrifice, and Clint’s competing with her for the mission. This scene drew some sort of moisture from my eyes, because I saw that this is how we are called to live and die, especially as Christians. If only we all fought to die for one another like these two did. Truly an inspirational moment here, and one that applies not only to times of great struggle, but also to moments that only seem mediocre. Get your tissues (or sleeve) ready for this scene.
Another great moment was when Hulk/Banner realized that there was no mistake with his Jekyll-Hyde condition; there was a meaning, a purpose. He volunteers to use the Infinity Stone gauntlet to snap the decimated 50% back into life, knowing that doing so would cripple him as it did Thanos when he had snapped that same 50% into death. Banner says, upon realizing that he alone must do this: “The radiation [from the stones] is mostly gamma. It’s like I was made for this,” meaning that his radioactive condition happened so he could rise to this challenge. Banner [the super scientist] understands here that everything truly does happen for a reason.
Speaking of everything happening for a reason: notice how traditional the Avengers are. Each one of them either gives up marriage to be celibate and serve others with their lives, or they marry, start a family and have children the natural organic way. Stark and Potts, Clint and Nicole, Rogers and Carter. Their relationships are healthy, wholesome, and heartening. In a culture so confused about marriage, family, and children, this reminder in the film is subtle and important, but very needed.
[Some quality daddy-daughter time.]
After overcoming the final battle with Thanos, Clint mentions that he wishes Natasha somehow knew they had succeeded, that her sacrifice was not in vain. Wanda responds that Natasha does know, even though she had been long dead. This hints at the reality of an afterlife, a life that is beyond the physical universe, and in our current hyper-materialistic culture, any reminder of this reality is welcome.
Which leads into what will happen to us at the end of time, the end of this material universe. Endgame‘s ending depicts the joy of reuniting with long-lost loved ones, with the global (and even universal) reunion of all. The cathartic joy in the film is palpable, and I don’t recall any popular film that presents this universe-wide reunion so well. In our true Christian faith, the film’s ending hints at the coming communion of saints, the resurrection of the dead, and the life everlasting, where we who have chosen God will have the life, the family, and the love that He has originally made us to know. For more about this epic reunion, please see here where I daydream how the New Heaven and New Earth might be like. It’s really the only thing worth daydreaming about, and unlike Endgame, it’s only the beginning of a far better life than any human could dream up, because it’s God’s dream for us.

PowerBall and Poverty

Posted by HolySmack on January 12, 2016

Nice try.

But dividing the 1.3 billion dollar PowerBall by America’s population will not fix poverty. Here’s why:

Not only because 1.3 billion/300 million = $4.33,
But because poverty is global, and worse around the world.
But even if every person on earth got millions, poverty will worsen:
Because nobody would work; everyone would go into retirement
So nobody will grow your food, run your government, keep your emergency services going, run your schools and universities, open your restaurants, stock your favorite stores, make your merchandise, sell your wares, etc.
Suddenly all that money will be worth nothing.
Civilization falls apart
Culture of bums
Because the motivation that drives most people is making a living
Besides, if Jesus did not fix poverty, what makes you think we can? (see Mark 14:3-9)
There’s a reason Jesus did not rid us of poverty and suffering:
Because poverty and suffering teach us that life is more than about having stuff and stuffing ourselves:
It’s about loving others, which requires sacrifice to be real:
And sacrifice means enduring and struggling, about putting another’s well-being before yourself.
So no, money will never solve poverty. Only real love, hard work, and self sacrifice.

But having some money would be nice (so please share some my way if you win!). Money is only meant to be a tool to help with the tasks of love, work and sacrifice, not be a substitution!

Here’s the stupid (no other word for it) meme, edited: PowerBall

Zombie Theology

Posted by HolySmack on December 31, 2015

The film “I Am Legend” is a far too underrated zombie story. It is well acted, well written, well scored and well played over all. Though a few years old now, it is still a fine viewing film, especially for the Advent and Christmas seasons (yep! you heard right, and they did indeed release the film during Advent 2007, after all). Let me show you why zombies and theology mix well here.

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—SPOILER ALERT—
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—–1) Tree of Knowledge of Good and Evil, and the Krippin Virus: both are good, and made with good intentions. The Tree that God made is by default good because He does not create anything less than good, because He is Goodness itself. The only bad was when Adam and Eve disobeyed God and doubted His goodness and love. They believed the lie and tried to usurp God. the consequences of this Original Sin are death, hatred, and evil in man. In the movie “I Am Legend,” the Krippin Virus is also made for good, but its consequences are too devastating to man.

—–2) Season of Advent: the movie shows us that the beginning of the Krippin Virus (K.V.) outbreak was during the season leading up to Christmas time. Decorations are everywhere, and the decorations stayed up because the world fell apart waiting for a cure, a savior (magazine cover). We see that the effects of the virus are horrific
and ravaging, affecting soon all of mankind. This is an allegory for Original Sin and its consequences for all of us. The world is weary in fighting the illness of sin, with no hope of Heaven. At the same time, there are signs that God still loves us (throughout the movie). A motif representing this is the butterfly: a transformation from illness to health, from sinner to saint (i.e., same creature, different existence). So there is indeed hope, if we know how to read God’s signs, which increasingly become less and less random and more intentional. Advent is a time of waiting and preparation for Christians, and waiting for three things: a) Christmas as a memorial of Jesus’ birth, b) the coming of Jesus into our lives and hearts, c) the future Second-Coming of Jesus to judge the world in glory. And so we see int he film a perpetual advent, waiting for a cure, for salvation.

—–3) We are the infected in the film, sinners infected with concupiscence and death. Instead of destroying us in our evil (our illness), Jesus comes to redeem us. In the film, Neville does the same and seeks to cure us of our ills. Jesus is immune to our sins. Neville is immune to the virus. And Neville does not seek to wipe out all who have K.V., but rather hopes to help them, to save them.

—–4) In order to help us though, Jesus was born of a woman, Mary, who is a woman of great faith. Neville, in order to help us, also needs to be cared for by a woman of great faith. Please see points #9 and #11 for more about this.

—–5) As sin is atoned for by the shedding of blood (think of the Israelite animal sacrifices), Neville also sheds blood in order to cure us (i.e., he sacrifices himself for us, and the immunity to K.V. is in his blood). Jesus, of course is the true sacrifice who died to redeem all of us; it is Christ’s precious blood that saves us.

—–6) Fisherman: Dr. Neville is shown to be a fisherman a few times in the film, either when he says “Like fishing in the dark, son” or when he is actually fishing. Now, the fisherman is a metaphor Jesus used also in the Gospels, not to mention that most of His apostles were actual fishermen (Peter and Andrew, James and John).

—–7) There is also the display of prayer in the film: Neville’s wife praying with Robert and their daughter before the family separates. We see here that the family is Christian and prayerful, devout enough to pause during an intense evacuation to petition Christ. They know who is the Lord and who is in charge (even though Neville later loses his faith).

—–9) “They won’t stop.” Neville says this toward the end of the film, realizing that the infected (the dark seekers) will not stop trying to kill him. This applies to Christian theology in that we sinners will not stop sinning, because we cannot stop on our own strength. We will live forever in our sins, unless we have help from someone above us (above sin), greater than us (greater than sin and its effects [death]), someone who is not ill (not a sinner) and has never been ill (never sinned) and cannot become ill (cannot sin). Coupled with all the talk and symbolism about “listening” and “light” and the analogy of the film to Christian theology only grows.
“I’m listening,” “the world is quieter now, if you listen, we can hear God’s plan,”: listening and finding the space, time and silence to listen in our prayer is essential. See how Neville misses all the signs God has provided for him (the butterflies), to encourage and assure him in his waning faith. See how Anna (the name of St. Mary’s mother, by the way) has learned to hear God and hold fast to Him in the darkness. See how the light works in the film: sinners (dark seekers) live and hide in the darkness, and those who are redeemed in Christ (those immune to K.V.) live in the light. Jesus, the Light of the World, is what the film is hinting at with this symbol.

—–10) “Don’t worry about a thing, because every little thing is gonna be all right…” This song is not only optimistic, but it’s the Christian way to live, because we know Christ not only was born to save us, but he died to save us, and he even came back from the dead for us! A God who loves that much, who is that powerful and close to us means we have nothing to worry about. True Christians do not worry about a thing because every little thing is gonna be all right, because the Lord is in charge — not us, not the devil, not the universe. Only Him. And He loves us.

—–11) Now if all these subtle nudges that the movie is a Christian allegory does not work enough, then there is the obvious rosary. Not only does it appear on Neville’s birthday (symbolizing Christmas, Mary, Jesus’ birth), but it also appears right at the moment when Neville is nearest to death, nearest despair. Yet, because he is meant for a mission, a woman arrives to help him bearing a rosary: the symbol and prayer of THE WOMAN: MARY, the Mother of God. This is not only important in the film, but also for us: we need the help of our mother’s (St. Mary) prayers. Jesus entrusted us to her care (John 19:25-27), and she is His mother. Think about this: she is His mommy, which means she loves Him more than any of us can, and He (because he is the perfect human being, and therefore the perfect child) loves her more than any of us can. “Never be afraid of loving Mary too much. You can never love her more than Jesus does.” -St. Maximilian Kolbe.

—–12) Finally, once at the survivor’s colony (sort of like a promised land, a haven… a heaven), the first thing we see when the gates are opened is… a church with bells ringing. And Anna and Ethan would never have made it were it not for Neville’s sacrifice: we will never make it home to heaven if not for Christ’s.

—–13) And the date of the cure’s discovery is September 9th. If you are reading this and this date means something to you (you know who you are), then you know why this detail is important to me.

*Special thanks to HLD, an old friend who shared most of these insights with me years ago.

The Gentleman and the Tie

Posted by HolySmack on February 17, 2015

50 Shades of S*** Last weekend, a book became a movie that should’ve never even been a book in the first place. But alas, here it is… 50 Shades of Grey.

Now, I’ve read all the criticisms I could find from sources I trust (links at the bottom), and I’d like to just do one thing nobody else has done: judge the book’s cover.

I take book covers very seriously (like when I designed my own), and this is no exception. What we see here is a tie, and that’s pretty much it. So… what can we make of this?

Does it stand for the business man in the book?
Does it represent status?
Does it show off some fashion trend?
Is the tie a motif? Does it appear in the book?

And of course it can mean all those things. But here’s what I think most people miss:

A tie. Think about it. Putting a rope around your neck. If one end of the tie is pulled, the loop contracts. Like a lynching tool. Also known as a noose. And just because it’s silk doesn’t mean it can’t suffocate and strangle.

Why would any sane person invent such a thing and call it fashion, handsome, strong, and manly?

And why would an entire culture think this is something men should wear?

Because it symbolizes and actualizes VULNERABILITY. It represents the gentleman under the paisley because it makes the man under the paisley gentle! If a man has this noose around his throat, he is made vulnerable and weak, even though he may be strong and secure. It shows that he is willing to be vulnerable and gentle, though he could be vicious and violent.

And vulnerability opens him up to love.

In fact, only love is worth becoming vulnerable for. And I’m talking about REAL love — love that involves selflessness, sacrifice, fidelity, and devotion. A man who really admires a woman always risks rejection when he asks her out, asks for her number, asks her out again, and again, and again, and finally asks for her hand in marriage. At every point, a true gentleman knows the lady is a free person who can decline and totally reject him. And at every point, the man who truly loves her knows that she is worth being vulnerable for. She is worth the risk of being rejected and embarrassed and devastated. To this gentleman, just getting the chance to ask her is worth it!

But 50 Shades of Grey has it backward. The book is about a woman becoming weak and vulnerable and abused by a vicious and violent boy. He uses her. Manipulates and control her. He puts her in the noose instead.

Here we have a boy unwilling (maybe even unable) to be selfless and sacrifice (and those are main ingredients to true love!).

Nothing gentlemanly about it.

Nothing manly about it.

Nothing lovely about it.

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Pray for all the 50-Shades fans, and for the author: E.L. James. They need it.

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Here are the criticisms I mentioned (highly recommended, but for mature readers only):

1) A whole collection of articles about 50 Shades of Grey from PornEffect.com (an anti-porn site).

2) Another collection, from ChastityProject.com

Closing Thoughts on Korra

Posted by HolySmack on December 22, 2014

The Legend of Korra has ended, and what a series of surprises! I have to say my favorite Books of Korra have to be One and Three. Amon was such a tragic and complex villain, and the peril inflicted on Korra by Amon and the Red Lotus really tested our heroine’s character.

—–1) But let’s take a closer look at Book Four‘s episode 8: Remembrances. This episode was more like a recap to prepare us for the finale stretch, but this was no filler episode. Some intense insight was to be seen:

When Mako and Prince Wu are sharing their stories with each other, Mako shares with us what he learned from his time with Korra, and then with Asami. The takeaway here is that when we date, we should be able to breakup without turning our girlfriend/boyfriend into an enemy. If the two do become enemies, then what was the relationship worth in the first place? Obviously then both were too immature and irresponsible with one another’s hearts. Now, this doesn’t mean the two cannot argue. Arguing is actually a healthy thing if the argument is over something extremely important! But it’s vital not to tear each other down in the argument, but to work together and find out the truth. Arguing should strengthen your relationship, not bomb it into oblivion.

But here’s the gem from Mako’s experience, when he says: “I had to figure out who I was without a lady in my life.” This is exactly why it’s so important for boys and young men to have good fathers and big brothers. Boys will stay boys if they don’t have a mature man to guide and challenge them. Boys will stay boys and really mess up their girlfriends if they don’t learn from their fathers how a women should be respected and honored. For Mako and Bolin, they grew up without a father or mother, so we can see now why it took them so long to mature, and to do it the hard way with much hurt and hurting others involved.

This is also a reason why seminarians focus so much on fraternity (the good kind, not the college frat-boy kind) and put dating on hold (either temporarily or permanently). We’re finding out who we are, so that we can better serve and sacrifice in whatever vocation God is calling us to. Because without this self-awareness, then we have no idea what our flaws and strengths are, and without this understanding we can never better or humble ourselves. Chastity and modesty are the virtues that help us achieve this. Men also need more time alone in prayer with God, without the distractions of dating (because dating should only happen after our relationship with God [Love itself] is on the right path — after all, how can you hope to love anyone if you don’t first know Love?). For more about this, please visit ChastityProject.com.

And there’s seemingly a throwaway line from Prince Wu: “I’m not strong like you, Mako! I can’t help being weak! I was born this way.” Yet, there he is, Prince Wu learning to toughen up under Mako’s training. It goes to show that yes, we are all born weak, illiterate, ignorant and with a bunch of other deficiencies, but does that mean we should stay that way? Heck no! And we see the Prince really mature as the season progresses.

—–2) And as for the series’ finale with episode 13: The Last Stand? A few things stuck out to me:

First, the whole series has been recurrent with self-sacrifice. We see this again, but this time Korra sacrifices herself to save an enemy (no one before Jesus ever taught us to do this!). Especially noteworthy is that it’s Kuvira’s own weapon that is going to kill her, until Korra steps in as a body shield. This analogy fits well with how Jesus took on our fallen nature and our sin (our own weapons, our own mess and selfishness was going to condemn and kill us) and died in our place.

Second, after both Korra and Kuvira are blasted into the Spirit World, Korra shares that she has finally realized that all the suffering she has gone through actually were blessings in disguise — without them she would not have matured and grown in wisdom, humility and compassion. Throughout the season, she was struggling to find meaning in her near-death experience and past trauma, and it was only after saving Kuvira that Korra understood. This is one reason why Christians believe suffering is permitted (not caused directly) by God, and that just because someone is suffering does not mean it is better for them to die, thus why euthanasia is morally evil (because murder is a sin, but suffering can be for our good as long as we suffer with Jesus).

Third, forgiveness of one’s enemies was found three times in this episode alone: when Asami forgives her father’s betrayals and deceptions, when Korra forgives Kuvira and saves her out of compassion, when Kuvira herself forgives Korra. Earlier in the season, we saw Korra forgive even Zaheer and accept his help! And it’s important to understand that forgiveness does not necessarily mean trusting the offending person again. It means you let go of the resentment you have for the person who hurt you and move on.

BONUS: the final scene of The Last Stand has most viewers interpreting it in a way that advocates for LGBT issues. All we see is Korra and Asami walking into the Spirit World hand-in-hand and turn to face one another. To me, this is more likely to be about the two becoming closer as sisters. We saw earlier how Mako and Bolin grew as brothers, but now we also see how Asami and Korra grew in their sisterhood. This is supported by the fact that the whole series moved from the romance between the friends in the beginning (Mako and Korra, Mako and Asami) to their love of one another as close siblings at the end. To see this love between Asami and Korra as romantic seems a far stretch to me, and is a sign of how lustful and perverse our society has become to see even this simple innocent gesture between them as sexual.

Yet, even if our two leading ladies have same-sex attraction: all persons are called to love and to be loved, including those of us with same-sex attraction! And to have same-sex attraction itself is not sinful (despite what many Christians wrongly believe), but to act on that love in a sexual way is a sin, because love need not be sexual (if it needs to be sexual, then it ain’t love). In fact, sexual expression is only appropriate in a holy marriage between one man and one woman (not a marriage done for lust, for social gain, for politics and power, for money, for polygamy, etc.), because the marriage vows [of sacrificial love] help the husband and wife prevent sex from becoming lustful, abusive, perverted and harmful to their love. Catholic teaching pushes back against this culture’s lust and perversion with true love that is understood to be genuine and selfless, chaste and courageous. I hope to share more about this in a more in-depth post, but for now, please let me share these insightful videos and interviews of persons with same-sex attraction instead: The Third Way, and the Desire of the Everlasting Hills. And for more authentic and compassionate Catholic wisdom on this topic, please start here.

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Well, that’s all I have for now about this latest Avatar series. I thoroughly enjoyed the journey it put me on, and I hope the best for the creators and cast of the Legend of Korra. Pray for them all!

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For more about Korra on HolySmack, look here: The Avatar and the Pope and the Passion.