After months of fasting from watching the latest Disney live-action remake, I finally got to look over Emma Watson’s most anticipated film. And actually, after all the negative views I’ve read on it, I still walked away with some surprises. This version of the 1991 classic is slower paced, and not as compelling (some scenes actually bored me enough for me to pull out my phone and check the news, waiting for the lame parts to pass). It’s lacking musical beauty, the CGI was sub-par, and the story is too top heavy, trying desperately to out-do its origin by adding tacky changes. From the start, this remake was in trouble since it was trying to perfect an already perfect original, and you just can’t fix what ain’t broke. Instead of trying desperately to improve, they should have desperately tried to honor the original. But despite these failures, here are some things I appreciated more than I thought I would, and things I think you never noticed:
- Right from the get go, I noticed the fly-by camera in the opening Disney Castle logo sequence. I wondered and replayed it, and took a screenshot. Here’s what I saw:That’s right! Atop the Disney Castle logo in this film (it’s usually a flag in other films) is a gold statue of St. Michael defeating Satan. And then at the end of the film, when the curse is broken and the Beast’s castle transformed, we see yet another gold statue of St. Michael, transformed from a gargoyle into the Archangel slaying the evil one. This leads me to wonder why Disney and the director (Bill Condon) okayed these clearly traditional Christian images, especially in a film that was supposedly designed in some scenes to push immoral same-sex relationships. Could it be that despite the attempts at evil, St. Michael was snuck in to show that Mickey and company belongs to St. Michael and company?
- Continuing the peculiar positive portrayal of the Church is the reverend/priest in the movie, who Belle meets with regularly to borrow his books. Granted that not many were literate in that time, it’s still strange to change Belle’s connection to literature from being with a bookstore (in the 1991 version) to a Catholic priest in the remake. And how do we know it’s a Catholic priest? Because there’s a giant crucifix statue, and Protestants and Orthodox don’t use crucifixes or statues. Also, the setting is France: a traditional stronghold of Catholicism (think St. Joan of Arc).
- Beast also has an almost throw-away line rebutting Lumiere’s claim of Belle being “the one” for Beast. Beast says: “there’s no such thing as the one.” This immediately reminded me of the correct understanding of love and marriage without the false fantasy of fate that negates freedom, without the this-was-meant-to-be lies. Blogger and author Matt Walsh explains this hilariously and clearly in this article: My Marriage Wasn’t Meant To Be. Here’s an excerpt (but seriously read it all):
We think that our task is to find this preordained partner and marry them because, after all, they’re “The One.” They were designed for us, for us and only us. It’s written in the stars, prescribed in the cosmos, commanded by God or Mother Earth. There are six or seven billion people in the world, but only one of them is the right one, we think, and we’ll stay single until we happen to stumble into them one day.
And when that day happens, when The One — our soul mate, our match, our spirit-twin — comes barreling into our lives to whisk us off our feet and take us on canoe rides and deliver impassioned romantic monologues on a beach in the rain or in a bus station or whatever, then we’ll finally be happy. Happy until the end of time. We can get married and have a perfect union; a Facebook Photo Marriage, where every day is like an Instragam of you and your spouse wearing comfortable socks and sitting next to the fireplace drinking Starbucks lattes.
Yeah. About that. It’s bull crap, sorry. Not just silly, frivolous bull crap, but bull crap that will destroy you and eat your marriage alive from the inside. It’s a lie. A vicious, cynical lie that leads only to disappointment and confusion. The Marriage of Destiny is a facade, but the good news is that Real Marriage is something so much more loving, joyful, and true.
We’ve got it all backwards, you see. I didn’t marry my wife because she’s The One, she’s The One because I married her. Until we were married, she was one, I was one, and we were both one of many. I didn’t marry The One, I married this one, and the two of us became one. I didn’t marry her because I was “meant to be with her,” I married her because that was my choice, and it was her choice, and the Sacrament of marriage is that choice. I married her because I love her — I chose to love her — and I chose to live the rest of my life in service to her. We were not following a script, we chose to write our own, and it’s a story that contains more love and happiness than any romantic fable ever conjured up by Hollywood.
Indeed, marriage is a decision, not the inevitable result of unseen forces outside of our control. When we got married, the pastor asked us if we had “come here freely.” If I had said, “well, not really, you see destiny drew us together,” that would have brought the evening to an abrupt and unpleasant end. Marriage has to be a free choice or it is not a marriage. That’s a beautiful thing, really.
God gave us Free Will. It is His greatest gift to us because without it, nothing is possible. Love is not possible without Will. If we cannot choose to love, then we cannot love. God did not program us like robots to be compatible with only one other machine. He created us as individuals, endowed with the incredible, unprecedented power to choose. And with that choice, we are to go out and find a partner, and make that partner our soul mate.
- And now the question of freedom and love: Beast finally learns this when he frees Belle from being his prisoner, even though she has become a willing prisoner. Being yet not fully free, her love is unable to be true, and his love is prevented from maturing also. But once Beast let’s Belle leave, once he allows himself to lose and become incredibly vulnerable to Belle’s rejection and abandonment, only then does Belle’s return mean anything. This insight isn’t unique to this remake, but is also in the original, and is a timeless truth about how love becomes true love. It reminds us that only a heart that can break is an honest heart, a real heart. And when Beast accepts his broken heart for love of Belle and her freedom and dignity, then does love truly bless and bloom, not wilt as the cursed rose.
- That’s all I have to say about the remake. For more about the 1991 original masterpiece and all the bursting Christian and biblical symbols in it, please see Beauty and the Beast and the Bible. Finally, it should be obvious that I believe the better Beauty and the Beast is certainly not this remake. Sorry fans. Everything that was good in this version was already in the original.
- For another, more thoughtful review, please see here.