Malice and Maleficence

MALEF_001A_G_ENG-SG_70x100.inddRecently, a dear friend of mine requested I should view and review one of her favorite films. At first I was reluctant, because I had heard negative reviews about Maleficent, and I also secretly dislike Angelina Jolie as an actress (yes, she bores me). But after giving the film a look, here are the really powerful moments of the tale:

—SPOILER ALERT—

—–1) The reviews I tend to read before considering an unknown film saw Maleficent as a poor remake of the original Sleeping Beauty. Now I am not a fan of the original, so this gave me even more reason not to see the remake. However, seeing Maleficent as a standalone (isolated and without memory of the original) film is the perspective I am sharing from, and from this point of view, let me continue…

—–2) “Don’t curse in the first place! You will spend your lifetime regretting it.” In the film, we see Maleficent take revenge on the selfish Stefan by cursing Stefan’s most loved one: his daughter Aurora. As the film progresses, we see that Maleficent seeks to undo the curse, but it is impossible.

This reminds me of some advice from St. Philip Neri about gossip (and other sins we commit). The story goes: Once a woman came to confess her sins, and the priest gave her a penance to help her make better choices in the future. He told her, “Take a pillow filled with feathers, and climb to the highest point in the city. From there, shed all the feathers from the pillow and let the wind catch and scatter them across town. Afterwards, climb down to the ground and collect every feather, stuff them back into the empty pillowcase. This is to show you that when you sin, even when merely gossiping, your sins and malicious words spread out and cause evil everywhere. And you can never undo and unsay everything.”maleficent536acd244e2df

—–3) From this tragic and irrevocable curse, we see that it is never right to punish a child for the sins of the parent! NEVER. So what Maleficent does is unacceptable, is evil, and malicious (hence, her name). This may seem obvious, but there are many people who indeed even murder their children in order to escape the responsibilities and consequences of their actions. I wrote about this just a few weeks back, so please check it out here: Children of Crime.

—–4) Once the curse takes hold and sends Aurora into indefinite sleep, we see the metaphor: her perpetual sleep is a death, with only a glimmer of hope that is more like hopelessness. Desperate to raise the girl from sleep (think of Luke 8:40-56 when Jesus woke Jairus’ dead daughter!) but unable to because the Prince has no real love for Aurora, Maleficent (who at this point has become like a mother to the girl) kisses Aurora’s brow, saying goodnight and goodbye.

It is here where we see that true love is not necessarily romantic or sexual! In this world, so many people confuse sex and romance for love, when actually the greatest love does not depend on those things. When parents love their children, when friends love one another, when children love their parents, when God loves us and tells us to even love our enemies, none of these loves should ever be sexual or romantic, and they are all powerful examples of love, true and chaste.

Of course, the love between a husband and wife have romance and sexual aspects, but the point is that their love is not based on those aspects, that even when their is no sex or romance, their love is still true because they choose to be faithful, loyal, selfless, and generous. Love is based on how we help get each other to Heaven, not on how much we can get from each other.maleficent-kiss-aurora

—–5) Lastly, we see that despite the evil Maleficent did, forgiveness is always possible if there is love, and only if there is love. Her many sins are forgiven, for she loved much, and love makes forgiveness always possible! Evil does not win unless we let it. For a great post about this, please see: Forgiveness is For Giving.

—–End) All in all, though not a film I think everyone must see, if you do see it, it wouldn’t be a waste!

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I Saw The Light Between Oceans

140672CM01B_Trp_Email_LR.pdfAn actress who has become a fast fave of mine is Alicia Vikander. When I saw she was in “The Light Between Oceans,” I knew I should see it. Coupled with Michael Fassbender, and it became something I had been looking forward to for a few months now. And so thankful am I to have not been disappointed. Here are the shining moments of the film:




—SPOILER ALERT—


—–1) As a man, it is difficult for me to relate to the experience of miscarriage. Yet, my heart was pierced and my gut was gutted when I saw the trauma in Isabelle’s (Vikander) two losses. The helplessness of both mother and father as the child comes stillborn, the vulnerability of life, the hopes suddenly spilling, all of it was so cruel and devastating. It helped me think of times my own friends endured such loss, and while I only heard the news after the fact, seeing it portrayed as it happens is terrifying.

Yet, the scene here also shows the irony of intentionally and deliberately terminating unborn children in the womb, aka: abortion. We have couples who are desperate to save their unborn children from miscarriage but are helpless and at the mercy of their infertility, yet then we also have merciless couples desperate to destroy their unborn children. And the only difference between the two kinds of couples is that one truly loves their children, and the other is inconvenienced by them.

the-light-between-oceans-michael-fassbender-alicia-vikander-rachel-weisz-002159-r_1920_1080-f_jpg-q_x-xxyxx—–2) On the note of parenthood, Isabelle shares that (paraphrasing): “When a wife loses her husband, she becomes a widow, but when a mother loses her child, she remains a mother always, even if she has no children left. I wonder if I am still a sister, since I have lost my brothers.”

This is such a profound insight that reflects the “till death do you part” vow in true Christian marriage, when spouses vow their fidelity with such determination and faithfulness that only their death might end it. Hence, a surviving wife becomes a widow, or a surviving husband becomes a widower. However, this film demonstrates the permanence of motherhood and fatherhood on many levels.

One level is that Isabelle and Tom (Fassbender) are parents, even with their loss of two stillborn children. Parents are always parents, even if all their children have gone to judgment before them (by whatever means). Parents who loved their lost children must realize however, that the children are not lost, but are waiting for them in the hereafter. Parents should then live so as to strive to be with their children again, to pray for them and ask them for prayers.

Another level is Hannah (Weisz) remains a mother too, despite her thinking her daughter is dead. And we also see that she remains a loving and devoted wife to her lost husband, revealing that though she is a widow, she remains his.

And powerfully foiling Hannah, we see that Isabelle struggles to remain Tom’s. She disowns him for surrendering to justice, and she does not allow herself to love him again until it is almost too late. Eventually, she finds forgiveness and also surrenders to the truth. I was so grateful to see this story go this way, the way of fighting to keep a marriage, to keep a love beating at the moment it has bled out.Alicia-Vikander-in-The-Light-Between-Oceans

—–3) And we see in this story (unlike in Kubo and the Two Strings) that the truth must always and will always have its day. Nothing good, not even a seemingly happy family, can be built on a lie and deception. Tom’s character, so morally formed and conscientious, cannot live with the lie, with keeping a child hidden from her true and loving mother. Tom knows the deception and must right it. Even in the end, Isabelle realizes her love, however honest it is, is flawed when founded on a lie.

In fact, the lie ages and wears down Tom and Isabelle and leaves them childless in the end. Even Isabelle yearns and hopes Hannah could forgive her for the evil she did. This film is dripping with the characters wrestling with the truth and finding out that the truth is alive and far more subtle and cunning than their greatest deceits. Lies die, and then Truth rises up alive.

Most beautifully done, however, is that we see after the truth is respected, the relationships bloom on a sure future. When truth becomes the foundation of love and relations, then it becomes easy and beautiful. The catharsis we see when Lucy-Grace (as a grown woman and mother herself) visits an aged Tom is something that could only have happened with the support of the truth.the-light-between-oceans-michael-fassbender-alicia-vikander-rachel-weisz-349486-r_1920_1080-f_jpg-q_x-xxyxx

—–4) Finally, great acts of forgiveness abound in the story; acts so great that even the police question why anyone (in this case, Hannah) would forgive the couple who is suspected of murdering her husband and kidnapping her daughter. But we see that this is how a happy and fulfilled life should be lived. Hannah remembers wise words from her husband (paraphrasing): “It’s too hard to resent, you have to think about it and remember it all the time. It’s tiring. It’s better to forgive so you can live.”

We also see, as mentioned earlier, how Isabelle forgives Tom, and thereby allows them to live a better marriage into old age. However, we must also note that Tom has forgiven Isabelle: for originally insisting they keep the baby and hide the body of Hannah’s husband, for refusing to admit the truth, and for finally revealing the truth even when it meant her conviction and imprisonment. We see here how Tom’s love led him to forgive her all these times, every time.

And that’s exactly it: only love makes it possible to forgive, and if not your own limited love, then for God’s infinite love.

—–BONUS) Two mothers fighting to keep/regain a child… sure reminds me of the case King Solomon once heard (1 Kings 3:16-28). Yet, in “The Light Between Oceans,” we see both women willing to part with the girl when they realized she was better off with the other. How beautiful a twist to put on the renowned Biblical story.

—–Note: I also appreciated the sound baptism and Christian marriage being celebrated, and the chastity portrayed in the couple’s relationship. But religiously, what caught me most was the solemn chanting of prayer in the score when Tom first encountered his daughter’s true mother, and the truth staring him down and demanding him make things right. In the background, a minister’s words about sin, and our mission to oppose it and refuse it, also adds to the theme of the story: A lasting love and family must be built on truth.

Child Will Miss This

Child will miss this,
Will miss wind on her skin,
Miss this air lifting her cries,
Whisping her voice to the skies.

Child will miss sun on her hair,
Warming each strand
As Mother’s hands braid
And comb them into a crown.

Dad will miss the sound
Of Child’s laughter,
The only sound that
Blooms into music in life hereafter.

Child will miss Brother and Sister,
Will miss the rivalry
And the revelry of sharing
Family together.

Child will miss this world
As much as the world is deprived
Of who Child could have been
If only Child had not died
While yet inside

Mother misses Child,
As her tears have testified.
And Dad prays for Child,
Never to neglect.

Brother and Sister neither forget
Their friend,
Though they have never met,
They long a reunion

Perhaps in dream and pondering,
Merely wandering their fantasies
At who Child could have been
If Child were named rather than maimed.

Child will miss herself,
Will miss discovering her life
And miss knowing the love
We were meant to give her.

 

Evan Pham – May 12, 2016 – In honor and memory of children, motherhood, fatherhood, and siblinghood lost to abortion.

Forgiveness is For Giving (not withholding)

Hello! This post is unlike anything I’ve shared before: it’s an actual academic exegesis I wrote for my Synoptics class. You know how I sound when I write casually, now hear how I sound as a wannabe-scholar… (I promise, there are some really amazing things I learned and want to share with you!) The paper is based on one of my favorite verses in all Scripture, Luke 7:47: Therefore I tell you, her sins, which are many, are forgiven, for she loved much; but he who is forgiven little, loves little.

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Luke 7:41-50 (RSV)

[41] “A certain creditor had two debtors; one owed five hundred denarii, and the other fifty. [42] When they could not pay, he forgave them both. Now which of them will love him more?” [43] Simon answered, “The one, I suppose, to whom he forgave more.” And he said to him, “You have judged rightly.” [44] Then turning toward the woman he said to Simon, “Do you see this woman? I entered your house, you gave me no water for my feet, but she has wet my feet with her tears and wiped them with her hair. [45] You gave me no kiss, but from the time I came in she has not ceased to kiss my feet. [46] You did not anoint my head with oil, but she has anointed my feet with ointment. [47] Therefore I tell you, her sins, which are many, are forgiven, for she loved much; but he who is forgiven little, loves little.”  [48] And he said to her, “Your sins are forgiven.” [49] Then those who were at table with him began to say among themselves, “Who is this, who even forgives sins?” [50] And he said to the woman, “Your faith has saved you; go in peace.”

Introduction:

Ideally, the entirety of Luke 7:36-50, known as “A Sinful Woman Forgiven,” would be explored and discussed. However, the confines of this essay restrict us to an abridged reading covering only v.41-50, which exudes yet a great deal of wealth for faith that seeks understanding. The scene opens with Simon the Pharisee inviting Jesus to dine with him, which our Lord accepts. At table, a seemingly notorious woman approaches the Lord and begins to do him homage in the presence of Simon and others at table. Seeing this, Simon secretly criticizes Jesus for allowing this woman to even touch him, “for she is a sinner,” at which point, Jesus addresses a parable and lesson to Simon, and to us as well.

The Parable and the Pardon:

To help understand this parable in Luke 7, we must know the value of a denarius. In New Testament times, a sole denarius was a standard day’s wage,[1] and so in Jesus’ brief parable, one debtor owes fifty days’ worth of wages, whereas the other owes 500 days’ worth. Because the creditor cancels both debts, the difference between the debtors, with one owing a far larger amount, is important for grasping the message Jesus seeks to impart. Firstly, that the debtors cannot repay their debts, though the amounts owed would normally be repayable (unlike the debt owed by the unforgiving servant from Matthew 18:21-35), shows that perhaps unforeseen problems (e.g., debilitating injuries or disease) have arisen and made the debtors incapable of repayment. Allegorically, our debilitation is the sin of Adam, as well as all subsequent personal sin. Some bear greater sin than others, but all remain debilitated by Original Sin until Baptism, and then debilitated again with each following grave sin committed. Thus, sin is not merely debt but debilitation also.

Our Lord then says a peculiar thing in mentioning love with his question in v. 42, the original Greek of which is agapēsei (ἀγαπήσει) and means a love more nuanced toward willingness and commitment.[2] This is strange, for the business relationship between debtors and creditors usually do not involve love of any real sort, much less agapic love. Appreciation, gratitude and further indebtedness would be more fitting, but here actually lies the potential for love: the creditor in cancelling debt acts not only generously, but acts charitably,[3] acts as a benefactor who need not do such a thing out of lawfulness, but out of lavishness, out of love. Justice calls for the repayment of debt, but love becomes possible when a great debt is given, or rather, is forgiven as a gift to the debtor,[4] a gift of such immense cost that its giving transforms any stranger into a benefactor, into a lover, and any stranger into a beneficiary, into a beloved, for such great love moves the beloved to love freely in return. Thus, our Lord brings love into the parable of debt to reveal that the relationship is not one of economic basis, but of intimacy. He is priming Simon to “reconsider the meaning of [the sinful] woman’s actions – not the repayment of a debt, as though she were a slave girl or prostitute, but an expression of love that flows from the freedom of having all debts cancelled.”[5]

Indeed Simon understands, for Jesus responds that he “judged rightly” with his answer, but then Jesus does another peculiar thing. The Lord, while having turned to face the woman, asks Simon in v. 44, “Do you see this woman?” Jesus here is addressing Simon, but is looking at the woman, and doing so implies that Simon, though he sees the woman, does not truly see her. In asking Simon from this posture and gesture, Jesus invites Simon to “adopt Jesus’ own view of matters concerning this woman,” to see her as he sees her, to stand in his place and look upon her, to “no longer viewing her as [merely] a ‘sinner’ but as one who loves extravagantly.”[6]

Jesus’ address to Simon is also toward us, for we also should imitate the Lord in seeing others not as mere sinners, but as beloved siblings in Christ. Furthermore, the Lord is calling us to also love him and neighbor extravagantly, as the woman loves. From vv. 44-46, Luke’s comparison of Simon’s lack of bare minimum hospitality with the woman’s overwhelming hospitality is also an allegory: Jesus is the divine guest to the household of man. He visits not for merely his enjoyment or sake, but exclusively for ours, and is yet met not only with inhospitality, but even with open hostility from his host.[7] The allegory continues as Luke reveals the woman expresses love with prodigality similar to that of the prodigal father from Luke 15. Her experience of the Lord’s mercy and love moves her to go beyond basic hospitality that society calls Simon to provide, and so Luke compares in vv. 44-46 the coldness of Simon with the woman’s affections, presented here as a table for emphasis, reproduced from Brendan Byrne’s text:[8]

SIMON

I entered your house, you gave me no water for my feet,

You gave me no kiss,

You did not anoint my head with oil,

THE WOMAN

but she has wet my feet with her tears and wiped them with her hair.

but from the time I came in she has not ceased to kiss my feet.

but she has anointed my feet with ointment.

With the case of Simon, as the host he should have extended courtesies to Jesus, and that would have been socially enough. Yet, the woman not only extends the courtesies, but humbles herself before the Lord in ways that would have been inconceivable for Simon to have done. Simon should have provided water for Jesus to wash on his own, should have welcomed the Teacher with a kiss and anointed his head, yet the woman not only gives water, but gives water drawn from her tears of love, and dries the Lord’s feet with her own hair, which is seen in New Testament times as a woman’s pride and glory. Moreover, the woman, like the centurion from just prior in Luke 7:6, does not consider herself worthy to kiss the Lord on his divine face, but only on his feet, and does not even dare anoint the Lord on his crown, but reaches for his feet alone. Her humility in act and her extravagance in provision show her gratitude and reflect the forgiveness she has experienced from Jesus. To forgive and seek forgiveness is an act of humility and extravagance both for the penitent and the person offended: humility because pride prohibits repentance from the sinner and prohibits mercy from the one sinned against, and extravagance because parsimony restricts atonement by the sinner and restricts charity by the one wounded.[9] The allegory deepens here and finds completion in v. 47, but before continuing, the term kiss deserves special discussion.

Of the four Gospels, only the Synoptic Gospels employ the term kiss, and of the Synoptics, Luke makes most use of the term. All three Evangelists present Judas betraying Jesus with a kiss, but only Luke presents kisses elsewhere in different pericopes: once in the parable of the prodigal, and thrice here regarding the repentant woman. The appearances of kisses is telling in Luke, since his first kiss is here in Luke 7, bestowed on the Lord by a sinner on behalf of repentant sinners, and the next kiss is that of God (through the person of the prodigal father) upon repentant sinners in Luke 15’s parable. Luke’s final kiss is Judas’. One can then read that Luke’s intent is much like how he closes some of his pericopes with open endings: what will we choose next? Will we join the celebration of the younger brother’s repentance and safe return, or stay in the darkness of resentment? Will we let the last kiss upon our Lord be that of betrayal, or will we kiss him again with love and gratitude from his forgiving us?

And therein lies the conclusion of the allegory, for in v. 47, not only has the woman shown great love to the Lord for his having forgiven her,[10] but Jesus has also forgiven us our many sins and we, as the character of Simon, have yet to show the Lord such love and gratitude. We have not been forgiven little, for we have even been forgiven for crucifying the Son of God with our sins, but then why do we love so little? And why do we love not only the Lord so little, but also our brothers and sisters who are no worse than we? In fact, we who come after the Lord’s Passion, Death, Resurrection and Ascension have far more to be thankful for compared to the repentant woman, and so we also are far guiltier since we have in malice sinned against the greater gift of the Lord’s full revelation. Thus, we should in repentance and reconciliation, through the sacrament of penance, express even more love than the woman here, for we have been forgiven far more.[11]

The Lord then declares to the woman: “Your sins are forgiven,” something that at this point is already obviously clear to the woman. Rather, Luke here suggests Jesus not as addressing the woman alone, but to Simon and his tablemates who were questioning the situation, and not merely to Simon and the others, but to us readers also. Jesus here is not assuring the woman of his forgiveness (for such had been done), but is declaring to Simon and the onlookers that the woman is now reconciled with God and with God’s people and should be treated and related to as such by the community,[12] and not as a “woman of the city, who was a sinner” (v. 37). The others at table, however, are not concerned about this restoration of a lost sheep into the fold, but rather turn to critique Jesus in v. 49 with words that hearken back to Luke 5:21, when Jesus earlier forgave the sins of the paralytic. How important it is for us not to follow in such critique, which may tempt us when we ourselves are grievously wounded and do not desire our offender to be reconciled with us or with Heaven. To prevent such further resentment toward a forgiven sinner, Jesus reemphasizes in v. 50 that indeed the woman’s faith has saved her and she is free to go in peace. Here, faith is not to be misunderstood as the instrument of her forgiveness, for the Lord alone forgives, but as the requirement to even seeking repentance in the first place. Faith is necessarily bound to metanoia, for “those who reject faith reject the everlasting life that Christ offers to the world.”[13] Lastly, the peace Jesus mentions in v. 50 is not limited to the woman’s personal and “‘spiritual’ well-being… but speaks of a restoration … to the full social intercourse from which she has been excluded.”[14] The woman was once lost but has now been found.

Conclusion:

Luke closes this pericope with an open ending, as mentioned earlier regarding the kisses found in the evangelist’s Gospel. Such endings challenge readers to imagine what Simon and the others at table will do, and ultimately what readers themselves will do. Will we love much since we have been forgiven much? Will we love the Lord extravagantly, fearlessly and without shame before others who may judge us as sinful and untouchable, perhaps even as unforgiveable? Will we ourselves in turn forgive others much since we ourselves have been forgiven infinitely more?

[1] Hahn, Scott, ed., Catholic Bible Dictionary, (New York: Doubleday, 2009), 211.

[2] Catholic Bible Dictionary, 553.

[3] The word forgave in vv. 42-43 is from the Greek charizomai and connotes “by way of gift,” as in charity. See: Johnson: 127, note #42.

[4] Johnson, Luke Timothy, The Gospel of Luke, (Collegeville, Minnesota: Liturgical Press, 1991), 127.

[5] Joel B. Green, Gospel of Luke, 312.

[6] Green, Joel B., The Gospel of Luke, (Grand Rapids, Michigan: William B. Eerdmans Publishing, 1997), 312.

[7] Byrne, Brendan, The Hospitality of God, (Collegeville, Minnesota: Liturgical Press, 2015), 88.

[8] Ibid., 87.

[9] The parable of the Prodigal Son and Father in Lk. 15 further elaborates this nature of forgiveness.

[10] Johnson, Luke Timothy, The Gospel of Luke , 128. The woman’s love is the effect of the Lord’s forgiveness, not the cause of the Lord’s forgiveness, as can be misread in various translations. The preceding parable in vv. 41-43 also requires such a reading in v.47.

[11] Thomas Aquinas, Summa theologiae, II-II, q. 72, a. 11.

[12] Green, Joel B., The Gospel of Luke, 314.

[13] Catholic Bible Dictionary, 764.

[14] Green, Joel B., The Gospel of Luke, 314.

Sacred Heart of Jesus

Let me tell you the tale behind this latest Holy Smack card:

As with all of the cards, I wait for the Holy Spirit to prompt me and provide me with art and prayer to pair together into a holy card. Without the Spirit’s guidance, I do nothing. One thing that being a former seminarian has taught me is to be obedient to God’s will. And when we obey His will, amazing things happen that we could never have imagined.

With this card, I was searching for images of our Lord’s Sacred Heart. I had been on the lookout for many months, but nothing came up that rendered me speechless, until I stumbled on this blog and saw this piece. As soon as I saw Him and His heart, I knew this was the image I was always meant to find, and meant to find at that specific moment in time.

At that point, I had been going through a severe struggle in my life. Someone precious to me had been suffering in spirit and body, and like anyone who ever loved, when one’s beloved is in sorrow, one is in mourning also. Yet, when I saw this image of our Lord, the power of His light cut into my darkness. I had to find out more about the artist.

It turns out, the beaming Sacred Heart of Jesus here is a freak “accident” of flash photography! The image is a photo taken by a priest, and the blast of holy light is only a reflection of the camera’s flash. The shot was perfect, and so the priest posted it on his blog, and that’s where the digital paper trail ends, for after contacting Father, I was informed the artist is unknown, and perhaps even deceased.

And for the next four months, I deliberated and waited, I searched and listened. I found a prayer and I finished the entire card’s design, yet I still hesitated. Something was not yet in place. And then my friend shared with me more tragedy.

It was then I knew the time had come to print. The card was meant for her all along. The Lord was meant for her, His Sacred Heart was for her, the humble prayer was for her. And the card is the first to be dedicated to anyone.

Please pray for her.

Thank you, and if you happen to know the artist of the image, please do inform me so I can seek her or his forgiveness for using the image without permission.

—Updated June 8, 2018: Solemnity of the Sacred Heart of Jesus…

In honor of today’s feast, I have re-designed the prayer card (images updated below) and will be stocking up on them! Please continue praying for all to know the love of our Lord.

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SacredHrtBackPrint2Sample

Note: as with all of my cards, please know I would be honored to share them with you for free and that any donation would be appreciated to support the continued ministry.

PowerBall and Poverty

Nice try.

But dividing the 1.3 billion dollar PowerBall by America’s population will not fix poverty. Here’s why:

  1. Not only because 1.3 billion/300 million = $4.33,
  2. But because poverty is global, and worse around the world.
  3. But even if every person on earth got millions, poverty will worsen:
  4. Because nobody would work; everyone would go into retirement
  5. So nobody will grow your food, run your government, keep your emergency services going, run your schools and universities, open your restaurants, stock your favorite stores, make your merchandise, sell your wares, etc.
  6. Suddenly all that money will be worth nothing.
  7. Civilization falls apart
  8. Culture of bums
  9. Because the motivation that drives most people is making a living
  10. Besides, if Jesus did not fix poverty, what makes you think we can? (see Mark 14:3-9)
  11. There’s a reason Jesus did not rid us of poverty and suffering:
  12. Because poverty and suffering teach us that life is more than about having stuff and stuffing ourselves:
  13. It’s about loving others, which requires sacrifice to be real:
  14. And sacrifice means enduring and struggling, about putting another’s well-being before yourself.
  15. So no, money will never solve poverty. Only real love, hard work, and self sacrifice.

But having some money would be nice (so please share some my way if you win!). Money is only meant to be a tool to help with the tasks of love, work and sacrifice, not be a substitution!

Here’s the stupid (no other word for it) meme, edited:PowerBall

Zombie Theology

IAmLegend.jpgThe film “I Am Legend” is a far too underrated zombie story. It is well acted, well written, well scored and well played over all. Though a few years old now, it is still a fine viewing film, especially for the Advent and Christmas seasons (yep! you heard right, and they did indeed release the film during Advent 2007, after all). Let me show you why zombies and theology mix well here.




—SPOILER ALERT—


—–1) Tree of Knowledge of Good and Evil, and the Krippin Virus: both are good, and made with good intentions. The Tree that God made is by default good because He does not create anything less than good, because He is Goodness itself. The only bad was when Adam and Eve disobeyed God and doubted His goodness and love. They believed the lie and tried to usurp God. the consequences of this Original Sin are death, hatred, and evil in man. In the movie “I Am Legend,” the Krippin Virus is also made for good, but its consequences are too devastating to man.

IAmLegend3.jpg—–2) Season of Advent: the movie shows us that the beginning of the Krippin Virus (K.V.) outbreak was during the season leading up to Christmas time. Decorations are everywhere, and the decorations stayed up because the world fell apart waiting for a cure, a savior (magazine cover). We see that the effects of the virus are horrific
and ravaging, affecting soon all of mankind. This is an allegory for Original Sin and its consequences for all of us. The world is weary in fighting the illness of sin, with no hope of Heaven. At the same time, there are signs that God still loves us (throughout the movie). A motif representing this is the butterfly: a transformation from illness to health, from sinner to saint (i.e., same creature, different existence). So there is indeed hope, if we know how to read God’s signs, which increasingly become less and less random and more intentional. Advent is a time of waiting and preparation for Christians, and waiting for three things: a) Christmas as a memorial of Jesus’ birth, b) the coming of Jesus into our lives and hearts, c) the future Second-Coming of Jesus to judge the world in glory. And so we see int he film a perpetual advent, waiting for a cure, for salvation.

—–3) We are the infected in the film, sinners infected with concupiscence and death. Instead of destroying us in our evil (our illness), Jesus comes to redeem us. In the film, Neville does the same and seeks to cure us of our ills. Jesus is immune to our sins. Neville is immune to the virus. And Neville does not seek to wipe out all who have K.V., but rather hopes to help them, to save them.

—–4) In order to help us though, Jesus was born of a woman, Mary, who is a woman of great faith. Neville, in order to help us, also needs to be cared for by a woman of great faith. Please see points #9 and #11 for more about this.

—–5) As sin is atoned for by the shedding of blood (think of the Israelite animal sacrifices), Neville also sheds blood in order to cure us (i.e., he sacrifices himself for us, and the immunity to K.V. is in his blood). Jesus, of course is the true sacrifice who died to redeem all of us; it is Christ’s precious blood that saves us.IAmLegend2.jpg

—–6) Fisherman: Dr. Neville is shown to be a fisherman a few times in the film, either when he says “Like fishing in the dark, son” or when he is actually fishing. Now, the fisherman is a metaphor Jesus used also in the Gospels, not to mention that most of His apostles were actual fishermen (Peter and Andrew, James and John).

—–7) There is also the display of prayer in the film: Neville’s wife praying with Robert and their daughter before the family separates. We see here that the family is Christian and prayerful, devout enough to pause during an intense evacuation to petition Christ. They know who is the Lord and who is in charge (even though Neville later loses his faith).

—–9) “They won’t stop.” Neville says this toward the end of the film, realizing that the infected (the dark seekers) will not stop trying to kill him. This applies to Christian theology in that we sinners will not stop sinning, because we cannot stop on our own strength. We will live forever in our sins, unless we have help from someone above us (above sin), greater than us (greater than sin and its effects [death]), someone who is not ill (not a sinner) and has never been ill (never sinned) and cannot become ill (cannot sin). Coupled with all the talk and symbolism about “listening” and “light” and the analogy of the film to Christian theology only grows.
“I’m listening,” “the world is quieter now, if you listen, we can hear God’s plan,”: listening and finding the space, time and silence to listen in our prayer is essential. See how Neville misses all the signs God has provided for him (the butterflies), to encourage and assure him in his waning faith. See how Anna (the name of St. Mary’s mother, by the way) has learned to hear God and hold fast to Him in the darkness. See how the light works in the film: sinners (dark seekers) live and hide in the darkness, and those who are redeemed in Christ (those immune to K.V.) live in the light. Jesus, the Light of the World, is what the film is hinting at with this symbol.

—–10) “Don’t worry about a thing, because every little thing is gonna be all right…” This song is not only optimistic, but it’s the Christian way to live, because we know Christ not only was born to save us, but he died to save us, and he even came back from the dead for us! A God who loves that much, who is that powerful and close to us means we have nothing to worry about. True Christians do not worry about a thing because every little thing is gonna be all right, because the Lord is in charge — not us, not the devil, not the universe. Only Him. And He loves us.

—–11) Now if all these subtle nudges that the movie is a Christian allegory does not work enough, then there is the obvious rosary. Not only does it appear on Neville’s birthday (symbolizing Christmas, Mary, Jesus’ birth), but it also appears right at the moment when Neville is nearest to death, nearest despair. Yet, because he is meant for a mission, a woman arrives to help him bearing a rosary: the symbol and prayer of THE WOMAN: MARY, the Mother of God. This is not only important in the film, but also for us: we need the help of our mother’s (St. Mary) prayers. Jesus entrusted us to her care (John 19:25-27), and she is His mother. Think about this: she is His mommy, which means she loves Him more than any of us can, and He (because he is the perfect human being, and therefore the perfect child) loves her more than any of us can. “Never be afraid of loving Mary too much. You can never love her more than Jesus does.” -St. Maximilian Kolbe.

—–12) Finally, once at the survivor’s colony (sort of like a promised land, a haven… a heaven), the first thing we see when the gates are opened is… a church with bells ringing. And Anna and Ethan would never have made it were it not for Neville’s sacrifice: we will never make it home to heaven if not for Christ’s.IAmLegend4.png

—–13) And the date of the cure’s discovery is September 9th. If you are reading this and this date means something to you (you know who you are), then you know why this detail is important to me.

 

*Special thanks to HLD, an old friend who shared most of these insights with me years ago.